Rameau: Suites and Arias
Pigmalion - Dardanus
Anders J. Dahlin (haute-contre), L'Orfeo Barockorchester, Michi Gaigg
All are well sung by Dahlin with greater freedom and in fuller voice that has sometimes been the case, though some of his ornaments are not turned with sufficient precision. Michi Gaigg’s orchestra,...
Rameau: Suites and Arias
Pigmalion - Dardanus
Anders J. Dahlin (haute-contre), L'Orfeo Barockorchester, Michi Gaigg
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All are well sung by Dahlin with greater freedom and in fuller voice that has sometimes been the case, though some of his ornaments are not turned with sufficient precision. Michi Gaigg’s orchestra,...
About
The career of Jean-Philippe Rameau extended over many years and witnessed many changes, and his contributions to music theory and the opera continue to enjoy the greatest prestige even today. While most of Rameaus operas contain several acts, Pygmalion and Dardanus belong to a little series of one-act works (or actes de ballet) that he composed beginning in 1748. Our recording presents a selection of these operas with suites and arias. The arias are interpreted by the Swedish singer Anders J. Dahlin, who is regarded as one of the most versatile tenors of his generation and as a sought-after vocal-cord acrobat. On the present CD he is a so-called haute-contre, which should not be confused with a countertenor. Instead, this particular voice register refers to a tenor who produces his high notes with a chest voice or a voix mixte consisting of chest and head voices. The haute-contre is a specialty of the French Baroque opera, and Dahlins opera performances also include some principal roles from Rameaus works. An absolute listening must!
Contents and tracklist
- Anders J. Dahlin (tenor)
- L'Orfeo Barockorchester
- Michi Gaigg
- Anders J. Dahlin (tenor)
- L'Orfeo Barockorchester
- Michi Gaigg
Awards and reviews
May 2021
All are well sung by Dahlin with greater freedom and in fuller voice that has sometimes been the case, though some of his ornaments are not turned with sufficient precision. Michi Gaigg’s orchestra, rather smaller than usual for Rameau, plays capably, though the winds seem very closely miked.