Help
Skip to main content

Kozeluch: Piano Trios, Vol. 3

Trio 1790

The playing of the current ensemble is blessed with precise ensemble, accurate intonation, energy and spirit, and a pleasing sonority. Tempos are lively and forward-moving without being hurried....

Kozeluch: Piano Trios, Vol. 3

Trio 1790

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
The playing of the current ensemble is blessed with precise ensemble, accurate intonation, energy and spirit, and a pleasing sonority. Tempos are lively and forward-moving without being hurried....

About

The three piano trios by Leopold Kozeluch recorded here are from 1786 and 1787 and were initially published independently by their composer. Already a few months later, however, reprints appeared in Paris, London, Offenbach, Mannheim, and Speyer – which shows just how well known and popular his music was at the time. Even before, in 1781, Kozeluch enjoyed such a fine reputation that the Archbishop of Salzburg offered him the post of court organist, succeeding Mozart. The piano trios on this recording for the most part display a mirthful and relaxed character, with spirited joy of performance along with virtuosic design sometimes holding sway in the piano part. Here Kozeluch reveals his masterful talent for the instrumentation of the musical material assigned to the three instruments as well as his penchant for highly imaginative thematic elaboration. Some of the movements occasionally even exhibit melodic and harmonic designs anticipating the style of a nocturne by John Field or Frédéric Chopin.

Contents and tracklist

I. Allegro
Track length8:37
II. Andantino con variazioni
Track length7:22
III. Rondo. Allegro
Track length4:21
I. Allegro
Track length7:50
II. Andantino con moto
Track length6:16
III. Allegro
Track length4:08
I. Allegro
Track length7:12
II. Adagio
Track length5:38
III. Allegretto
Track length6:46

Awards and reviews

Mar/Apr 2021

The playing of the current ensemble is blessed with precise ensemble, accurate intonation, energy and spirit, and a pleasing sonority. Tempos are lively and forward-moving without being hurried. Hoeren’s fortepiano, a Derek Adlam replica of a late 18th-century Matthäus Heilmann instrument, is not excessively tinkly and has a richly resonant bass register that adds color to the sound.
View download progress