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Nielsen: The Mother

Palle Knudsen (baritone), Lovisa Wennesz (harp), Rune Most, Christine Nonbo Andersen (voice), Rasmus Gravers Nielsen (voice), Steffen Bruun (voice), Rikke Lender (voice), Malene Nordtorp (voice), Rafaell Altino (viola), Adam Riis, Ole Bartholin Kiilerich (piano), Eugen Tichindeleanu (violin), Jovana...

Nielsen: The Mother

Awards:

tenor Adam Riis has the most tuneful numbers, but baritone Palle Knudsen steals the show as the Fool, with his cynical songs. The Odense Symphony Orchestra, “one of Denmark’s five regional orchestras”...

Nielsen: The Mother

Palle Knudsen (baritone), Lovisa Wennesz (harp), Rune Most, Christine Nonbo Andersen (voice), Rasmus Gravers Nielsen (voice), Steffen Bruun (voice), Rikke Lender (voice), Malene Nordtorp (voice), Rafaell Altino (viola), Adam Riis, Ole Bartholin Kiilerich (piano), Eugen Tichindeleanu (violin), Jovana...

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This release includes a digital booklet

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Awards:

tenor Adam Riis has the most tuneful numbers, but baritone Palle Knudsen steals the show as the Fool, with his cynical songs. The Odense Symphony Orchestra, “one of Denmark’s five regional orchestras”...

About

Carl Nielsen’s incidental music for The Mother was written for a gala celebrating the reunification, in 1920, of Southern Jutland with Denmark. The complete score first appeared in print in 2007 and has never been recorded in its entirety. This recording places the music in its right context for the first time, thus providing us with a new picture of Carl Nielsen as a composer for the theatre.

Artists

Palle Knudsen (baritone), Lovisa Wennesz (harp), Rune Most, Christine Nonbo Andersen (voice), Rasmus Gravers Nielsen (voice), Steffen Bruun (voice), Rikke Lender (voice), Malene Nordtorp (voice), Rafaell Altino (viola), Adam Riis, Ole Bartholin Kiilerich (piano), Eugen Tichindeleanu (violin), Jovana Vukušić (violin), Anna Dorothea Wolff (cello), Odense Symphony Orchestra, Danish National Vocal Ensemble, Andreas Delfs, Morten Heide

Contents and tracklist

No. 1a, March
Track length5:11
No. 1b, Saga-drøm
Track length10:00
No. 1c, Roselil og hendes moder
Track length0:28
No. 2, Tågen letter
Track length2:03
No. 3a, Melodrama
Track length2:11
No. 3b, Tro og håb spiller
Track length0:59
No. 4, Vildt gaar storm mod sorte vande
Track length1:35
No. 5, Grammofon-vals
Track length2:49
No. 6a, Min pige er så lys som rav
Track length2:17
No. 7, Ved festen fik en moder bud
Track length1:28
No. 8, Dengang ørnen var flyveklar
Track length1:12
No. 9, Tidselhøsten tegner godt
Track length2:35
No. 10, Forspil
Track length4:29
No. 11, Så bittert var mit hjerte
Track length3:10
No. 6b, Her vil ties, her vil bies
Track length0:57
No. 12, Børnene leger
Track length1:15
No. 13, Brudstykker af de krigsførende landes nationalmelodier
Track length1:56
No. 6c, Der er et yndigt land
Track length1:52
No. 14, Søndret folk er vokset sammen
Track length2:17
No. 15, Menuet
Track length3:11
No. 16, Dengang døden var i vente
Track length1:48
No. 17, Fanfare-musik
Track length0:23
No. 18, Menuet
Track length3:12
No. 19, Forspil
Track length3:10
No. 20, Ekkosang
Track length5:05
No. 22, Som en rejselysten flåde
Track length5:38

Awards and reviews

Jan/Feb 2021

tenor Adam Riis has the most tuneful numbers, but baritone Palle Knudsen steals the show as the Fool, with his cynical songs. The Odense Symphony Orchestra, “one of Denmark’s five regional orchestras” according to the booklet, plays like a major orchestra. The recording is excellent.

July 2020

Nielsen throws everything barring the kitchen-sink at the incidental music for this Gurrelieder-ish patriotic drama…The early whispers of his own Sinfonia Espansiva give way to lusty folk-songs (given sonorous but not over-manicured voice by baritone Palle Knudsen), bar-room piano interludes, flashes of the Marseillaise, and a thrilling choral peroration, sung with scintillating fervour by the Danish National Vocal Ensemble.

9th July 2020

Recorded in its entirety for the first time, played and sung with panache by all-Danish forces conducted by Andreas Delfs, it’s a score of almost operatic scope, going way beyond mere nationalism in its storytelling flair.

September/October 2020

There’s so much to love… Andreas Delfs leads a performance brimming with affection, his Odense Symphony Orchestra collaborating with a sizeable cast of instrumentalists, singers and speakers… It’s all enchanting. If you’re a Nielsen fan (and if not, why not?) you need this disc.
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