Solitude
James Gilchrist (tenor), Anna Tilbrook (piano)
There’s much food for thought in this collation of songs on the theme of solitude. Purcell starts us off, with his much-loved, hypnotic ‘O Solitude, my sweetest choice’, a perfect start in James...
Solitude
James Gilchrist (tenor), Anna Tilbrook (piano)
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There’s much food for thought in this collation of songs on the theme of solitude. Purcell starts us off, with his much-loved, hypnotic ‘O Solitude, my sweetest choice’, a perfect start in James...
About
James Gilchrist’s theme for this recital, Solitude, is reflected in varied and contrasting ways by the four works. In his booklet note, he describes solitude as ‘A state of being that we need, that perhaps we overlook too easily, that is harder to achieve and harder to endure and understand than we expect’. Henry Purcell’s O! Solitude, my sweetest choice (in the arrangement by Benjamin Britten) focuses on twin themes of solitude: the peace found in the meditative state and the pain felt by being separated from loved ones. Schubert’s Einsamkeit represents the importance of solitude as an important theme in the German romantic tradition: yearning for homeland, the lonely wanderer, and separated lovers appear again and again in the poetry, prose, and music of this era. In Under Alter’d Skies, Jonathan Dove explores the unwanted solitude of grief and loss. The cycle sets excerpts of In Memoriam, Alfred Lord Tennyson’s response to the sudden death of his friend Arthur Hallam. The programme closes with Samuel Barber’s Hermit Songs, settings of the marginal jottings of mediaeval Irish monks as they copied or illuminated manuscripts. These extraordinary texts show the anonymous men, who chose a life of solitude and devotion to God, to be every bit as human as the rest of us!
Contents and tracklist
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Awards and reviews
September 2020
There’s much food for thought in this collation of songs on the theme of solitude. Purcell starts us off, with his much-loved, hypnotic ‘O Solitude, my sweetest choice’, a perfect start in James Gilchrist’s sweet-toned, heartfelt performance….The swirling texture of [Dove’s] ‘Fair Ship’ suits Gilchrist’s silky legato perfectly. Anna Tilbrook’s handling of the range of pianistic textures is magnificent, from virtuosic turbulence to dignified stillness.
9th July 2020
Together these make for a rewarding programme that repays concentration. Gilchrist is, as ever, a hugely clear and communicative singer, in perfect balance with Tilbrook’s sense of focus and poise, even if at some moments in the Barber the piano seems a bit tasteful when something gaudier is called for.