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Special offer. Bruckner: Mass in E minor & Stravinsky: Mass

Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gijs Leenaars

From the standpoint of execution, I can’t fault these performances. The chorus sings superbly and the orchestra under Leenaars adjusts its manner of articulation and tonal ambiance for appropriate...

Special offer. Bruckner: Mass in E minor & Stravinsky: Mass

Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gijs Leenaars

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This release includes a digital booklet

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From the standpoint of execution, I can’t fault these performances. The chorus sings superbly and the orchestra under Leenaars adjusts its manner of articulation and tonal ambiance for appropriate...

About

The Rundfunkchor Berlin, led by its chief conductor Gijs Leenaars and accompanied by wind players from the RundfunkSinfonieorchester Berlin, presents masses by Bruckner and Stravinsky. The mass is arguably the oldest genre in music history, full of traditions, but also an inexhaustible soil for originality and innovation. This mix of tradition and innovation makes the genre an ideal vehicle for Bruckner and Stravinsky, who were both masters at blending the old and new into a uniquely personal musical idiom. Bruckner’s Mass in E Minor and Stravinsky’s Mass share their unusual orchestrations of almost a cappella voices with a sparse, extraordinary wind accompaniment. While Bruckner was inspired by open air “country masses”, Stravinsky’s Mass is emblematic of his neo-classical style.

The Rundfunkchor Berlin is one of the most established German choirs, and has participated in several PENTATONE releases of Wagner operas, as well as a recording of Bruckner’s Mass in F Minor (2013) and Richard Strauss’s Die Tageszeiten (2015). The Rundfunk-Sinfonieorchester Berlin has an even more extensive PENTATONE discography, containing collaborations with conductors such as Marek Janowski, Jakub Hrůša and Vladimir Jurowski. Gijs Leenaars makes his PENTATONE debut.

Contents and tracklist

I. Kyrie
Track length7:21
IIa. Gloria. Gloria in excelsis deo
Track length1:45
IIb. Gloria. Qui tollis peccata mundi
Track length1:50
IIc. Gloria. Quoniam tu solus sanctus
Track length2:25
IIIa. Credo. Credo in unum Deum
Track length1:37
IIIb. Credo. Et incarnatus est
Track length1:23
IIIc. Credo. Crucifixus
Track length1:45
IIId. Credo. Et resurrexit
Track length1:50
IIIe. Credo. Et in Spiritum Sanctum
Track length2:35
IV. Sanctus
Track length3:08
V. Benedictus
Track length5:25
VI. Agnus Dei
Track length5:24
I. Kyrie
Track length2:34
II. Gloria
Track length3:24
III. Credo
Track length4:18
IV. Sanctus
Track length3:32
V. Agnus Dei
Track length2:44

Awards and reviews

Nov/Dec 2020

From the standpoint of execution, I can’t fault these performances. The chorus sings superbly and the orchestra under Leenaars adjusts its manner of articulation and tonal ambiance for appropriate contrast between the two works.
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