Special offer. Leo Fall: Roses from Florida
(completed by Korngold)
Michael Raschle, Désirée Brodka, Adam Sanchez, Cusch Jung, Justus Seeger, Milko Milev, Anne-Kathrin Fischer, Andres Rainer, Andreas Reiner, Andreas Rainer, Lilli Wünscher, Chor der Musikalische Komödie Leipzig, Orchester der Musikalische Komödie Leipzig, Stefan Klingele
The score is an intriguing combo of Vienna and jazz, exemplified by prominent saxophone and piano parts…Leipzig’s Musikalische Komödie company sets down a creamy premiere recording, even if...
Special offer. Leo Fall: Roses from Florida
(completed by Korngold)
Michael Raschle, Désirée Brodka, Adam Sanchez, Cusch Jung, Justus Seeger, Milko Milev, Anne-Kathrin Fischer, Andres Rainer, Andreas Reiner, Andreas Rainer, Lilli Wünscher, Chor der Musikalische Komödie Leipzig, Orchester der Musikalische Komödie Leipzig, Stefan Klingele
Purchase product
The score is an intriguing combo of Vienna and jazz, exemplified by prominent saxophone and piano parts…Leipzig’s Musikalische Komödie company sets down a creamy premiere recording, even if...
About
"With ""Roses from Florida"" Erich Wolfgang Korngold succeeded in 1929 his most successful operetta of all time. With music by Leo Fall, who had already died four years earlier, but is still considered one of the most successful composers of the Silver Operetta era, the ""Roses from Florida"" were an exception even then. Long gone by the political atrocities of the Third Reich disappeared in the 1950s, the last performance to date - before Stefan Klingele with the Musical Comedy Leipzig helped the work again to the performance."
Contents and tracklist
- Michael Raschle, Désirée Brodka, Adam Sanchez, Cusch Jung, Justus Seeger, Milko Milev, Anne-Kathrin Fischer, Andres Rainer, Andreas Reiner, Andreas Rainer, Lilli Wünscher
- Chor der Musikalische Komödie Leipzig, Orchester der Musikalische Komödie Leipzig
- Stefan Klingele
Awards and reviews
April 2021
The score is an intriguing combo of Vienna and jazz, exemplified by prominent saxophone and piano parts…Leipzig’s Musikalische Komödie company sets down a creamy premiere recording, even if some of the singing is slightly curdled. Adam Sánchez’s vulnerable Goliath Armstrong is an exception, his ideallyweighted tenor supplemented by engaging personality.
