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Holst: The Cloud Messenger

The Choir of King's College London, The Strand Ensemble, Joseph Fort

Holst: The Cloud Messenger
Tempos and balance are ideal under Fort’s direction, while the instrumental ensemble plays beautifully. The choir blends well, despite the occasional raw tone from the tenors at their top. In...

Holst: The Cloud Messenger

The Choir of King's College London, The Strand Ensemble, Joseph Fort

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Tempos and balance are ideal under Fort’s direction, while the instrumental ensemble plays beautifully. The choir blends well, despite the occasional raw tone from the tenors at their top. In...

About

In 1910, after seven years of work, Gustav Holst completed his choral-orchestral masterpiece,The Cloud Messenger. But following a disappointing premiere in1913 the piece fell into obscurity, and has received only a handful of performances. This crowning glory from the composer’s Sanskrit period deserves to be much better known. Telling the powerful fifth-century story of an exiled yaksha who spies a passing cloud and sends upon it a message of love to his distant wife in the Himalayas, it is rich in its harmonic language and ingenious in its motivic construction, and points the way to Holst’s next major work,The Planets. This colourful chamber version by conductor Joseph Fort lends the more tender passages a new intimacy and clarity, while retaining much of the force of the original and laying the ground for a new life in performance.A set of five part songs, completed the year The Cloud Messenger was begun, shows the newly married Holst similarly absorbed by love’s trials and rewards

Contents and tracklist

No. 1, Prelude
Track length3:18
No. 2, O Thou, Who Com’st from Heaven’s King
Track length2:48
No. 3, In the City of the Great God
Track length1:04
No. 4, Bringer of Rain
Track length2:02
No. 5, Rushing Northward
Track length1:59
No. 6, See How All Greet Thee
Track length1:14
No. 7, Behold the Villages
Track length1:45
No. 8, As the Rain Descends
Track length1:33
No. 9, Tarry Not, O Cloud, Tarry Not
Track length4:42
No. 10, Tarry Not, O Cloud
Track length2:09
No. 11, And Hark!
Track length0:53
No. 12, Thou Hast Reached the Snowy Peaks
Track length3:53
No. 13, And See! The Great God Himself
Track length0:55
No. 14, Moderato maestoso - Vivace
Track length1:51
No. 15, When the Dancers Are Weary
Track length4:41
No. 16, Wait Near Her Flower-Covered Window
Track length1:17
No. 17, The Message [I, the Bringer of the Rain]
Track length2:38
No. 18, Beloved!
Track length4:33
No. 1, Dream Tryst
Track length4:39
No. 2, Ye Little Birds
Track length2:18
No. 3, Her Eyes the Glow-Worm Lend Thee
Track length1:02
No. 4, Now Is the Month of Maying
Track length1:37
No. 5, Come to Me
Track length5:01

Spotlight on this release

Awards and reviews

September/October 2020

Tempos and balance are ideal under Fort’s direction, while the instrumental ensemble plays beautifully. The choir blends well, despite the occasional raw tone from the tenors at their top. In sum, this is an enjoyable disc and a good introduction to an unfairly neglected work.

July 2020

Joseph Fort has created a reduced scoring, with a 15-piece instrumental ensemble in proportion to the 22-strong chamber choir of King’s College London, and he has done so with sensitivity, skill and an evident love for Holst’s visionary, rapturously romantic score...The singing, too, has a lovely sweetness and purity of tone. The alto soloist Caitlin Goreing soars as ardently as any on record.
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