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Beethoven: Complete Bagatelles, Diabelli Variations

Vincenzo Maltempo (piano)

Beethoven: Complete Bagatelles, Diabelli Variations
[Diabelli] Maltempo’s performance, intentionally or not, renders the set as more of a quilt or a kaleidoscope of composing and performance techniques and as less of a monolith. Will everyone...

Beethoven: Complete Bagatelles, Diabelli Variations

Vincenzo Maltempo (piano)

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2 CDs

$25.75

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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No digital booklet included

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[Diabelli] Maltempo’s performance, intentionally or not, renders the set as more of a quilt or a kaleidoscope of composing and performance techniques and as less of a monolith. Will everyone...

About

Celebrating Beethoven’s birthday in 2020 this 2CD set presents piano works by the master which don’t belong to the monumental Sonata-canon but to other forms in which the composer poured out his genius: Bagatelles and Variations.

The three sets of Bagatelles (Opp. 33, 119 and 126) show Beethoven the improviser, a mind overflowing with ideas, experiments and jokes, but also capable of penning down the most tender and intimate miniatures, infinitely touching in their sincerity and deep feeling.

The Eroica and Diabelli variations are masterworks of his middle and late period respectively, towering achievements of invention and expression. As a "bonus" we also hear the exquisite Op. 34 Variations and the Rondo Capriccioso Op. 129 (Rage over the Lost Penny).

Italian pianist Vincenzo Maltempo, one of the most interesting pianists of the young generation, made his name in his staggering recordings of unjustly forgotten romantic repertoire: Transcendental Studies by Lyapunov (Plano Classics PCL0124) received 5 stars in several classical magazines (a.o. the French Diapason). His recording of Uszt's Hungarian Rhapsodies received rave reviews, a Gramophone Editor's Choice: "extraordinary breadth and nobility-little short of perfection..", "9/9, close to ideal" (Jed Distler Classkstoday.com). His recordings of Alkan have "confirmed his place in the restricted circle of Alkan's best performers, 5 stars"(Diapason), "Exhilarating, thrillingly demonic, 5 Stars" (Andrew Clement in The Guardian

Contents and tracklist

No. 1 in E-Flat Major
Track length3:37
No. 2 in C Major
Track length2:55
No. 3 in F Major
Track length2:16
No. 4 in A Major
Track length3:22
No. 5 in C Major
Track length2:58
No. 6 in D Major
Track length4:14
No. 7 in A-Flat Major
Track length1:44
No. 1 in G Minor
Track length2:15
No. 2 in C Major
Track length1:00
No. 3 in D Major
Track length1:39
No. 4 in A Major
Track length2:01
No. 5 in C Minor
Track length1:10
No. 6 in G Major
Track length2:12
No. 7 in C Major
Track length1:09
No. 8 in C Major
Track length1:57
No. 9 in A Minor
Track length0:37
No. 10 in A Major
Track length0:14
No. 11 in B-Flat Major
Track length1:59
No. 1, Andante con moto
Track length3:51
No. 2, Allegro
Track length2:51
No. 3, Andante
Track length3:04
No. 4, Presto
Track length3:49
No. 5, Quasi allegretto
Track length2:24
No. 6, Presto
Track length4:34
6 Variations in F Major on an Original Theme, Op. 34
Track length13:40
Rondo à Capriccio in G Major, Op. 129, "Rage over a Lost Penny"
Track length6:17
Theme. Vivace
Track length0:50
Variation 1: Alla Marcia, maestoso
Track length1:52
Variation 2: Poco allegro
Track length0:56
Variation 3: L'istesso tempo
Track length1:30
Variation 4: Un poco più vivace
Track length1:05
Variation 5: Allegro vivace
Track length0:57
Variation 6: Allegro ma non troppo e serioso
Track length1:39
Variation 7: Un poco più allegro
Track length1:05
Variation 8: Poco vivace
Track length1:24
Variation 9: Allegro pesante e risoluto
Track length1:53
Variation 10: Presto
Track length0:34
Variation 11: Allegretto
Track length1:09
Variation 12: Un poco più mosso
Track length0:53
Variation 13: Vivace
Track length1:05
Variation 14: Grave e maestoso
Track length4:06
Variation 15: Presto scherzando
Track length0:36
Variation 16: Allegro
Track length1:00
Variation 17: (Allegro)
Track length1:00
Variation 18: Poco moderato
Track length1:50
Variation 19: Presto
Track length0:54
Variation 20: Andante
Track length2:21
Variation 21: Allegro con brio
Track length1:14
Variation 22: Allegro molto
Track length0:46
Variation 23: Allegro assai
Track length0:51
Variation 24: Fughetta - Andante
Track length2:51
Variation 25: Allegro
Track length0:52
Variation 26: (Piacevole)
Track length1:28
Variation 27: Vivace
Track length0:56
Variation 28: Allegro
Track length0:59
Variation 29: Adagio ma non troppo
Track length1:14
Variation 30: Andante, sempre cantabile
Track length1:52
Variation 31: Largo, molto espressivo
Track length4:34
Variation 32: Fuga - Allegro
Track length2:54
Variation 33: Tempo di Menuetto, moderato
Track length4:04
Introduzione col Basso del Tema
Track length3:23
Variation 1
Track length0:36
Variation 2
Track length0:50
Variation 3
Track length0:41
Variation 4
Track length0:37
Variation 5
Track length0:49
Variation 6
Track length0:36
Variation 7
Track length0:38
Variation 8
Track length0:48
Variation 9
Track length0:38
Variation 10
Track length0:39
Variation 11
Track length0:40
Variation 12
Track length0:39
Variation 13
Track length0:45
Variation 14
Track length0:58
Variation 15
Track length4:24
Finale
Track length4:57

Awards and reviews

Nov/Dec 2020

[Diabelli] Maltempo’s performance, intentionally or not, renders the set as more of a quilt or a kaleidoscope of composing and performance techniques and as less of a monolith. Will everyone like this? Probably not. If you’re looking for a sage, in Maltempo you will find a juggler instead, although hardly a witless one, in both senses of that adjective. Once I got on Maltempo’s wavelength, I enjoyed these performances very much.
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