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Special offer. Tristes Erant Apostoli

Cappella Neapolitana, Antonio Florio

The Eucharist solo motet Sacramento laudes is sung with purling fluidity by alto Marta Fumagalli, although the violin band’s uneven raggedness takes a while to resolve...A brief five-voice Easter...

Special offer. Tristes Erant Apostoli

Cappella Neapolitana, Antonio Florio

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This release includes a digital booklet

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The Eucharist solo motet Sacramento laudes is sung with purling fluidity by alto Marta Fumagalli, although the violin band’s uneven raggedness takes a while to resolve...A brief five-voice Easter...

About

World Premiere Recording (all tracks except for Stabat mater). Features sacred music celebrating Easter week by 17th century Neapolitan composer Antonio Nola. It also includes a work by his contemporary Pietro Marchitelli. This recording was made during the 2019 edition of the Misteria Paschalia Festival in Krakóv. Antonio Florio Florio is an internationally acclaimed specialist of this repertoire and artistic director of the Krakóv Festival. Latin texts included.

Contents and tracklist

I. Ecce nunc benedicite
Track length1:59
II. In noctibus ex tollite
Track length1:29
III. Benedicat te Dominus
Track length2:15
IV. Gloria Patri
Track length1:05
V. Sicut era in principio
Track length1:42
I. Vos fideles
Track length4:04
II. Ad calicem
Track length4:03
III. O sacramentum
Track length5:49
I. Andante
Track length2:54
II. Allegro
Track length2:10
III. Grave
Track length1:52
IV. Senza indicazione
Track length2:04
I. Sinfonia
Track length0:52
II. Quo ibo a spiritu tuo
Track length4:54
III. Quid agitaris
Track length3:25
IV. Deus ultionum
Track length3:05
V. Si peccavi
Track length1:09
VI. Surge vade ad patrem tuum
Track length2:42
VII. Pater iam non sum dignus
Track length3:59
I. Ecce nunc benedicite
Track length0:44
II. Qui statis in domo Domini
Track length2:05
III. Benedicat te Dominus
Track length1:06
IV. Gloria Patri
Track length2:03

Awards and reviews

November 2020

The Eucharist solo motet Sacramento laudes is sung with purling fluidity by alto Marta Fumagalli, although the violin band’s uneven raggedness takes a while to resolve...A brief five-voice Easter motet Tristes erant Apostoli is uninteresting but a solemn four-voice Stabat mater (Holy Week 1699) is outstanding.
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