Erkki-Sven Tüür: Mythos
Estonian Festival Orchestra, Paavo Järvi
Awards:
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Diapason d’Or, April 2020, Critique
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Presto Recordings of the Year, Finalist 2020
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Presto Recording of the Week, 13th March 2020
Cast in a single movement, this thrilling 35-minute work [Mythos] explores new pathways for the composer in an idiom entirely modern and his own while at the same time, inspired by Finno-Ugric...
Erkki-Sven Tüür: Mythos
Estonian Festival Orchestra, Paavo Järvi
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Awards:
-
Diapason d’Or, April 2020, Critique
-
Presto Recordings of the Year, Finalist 2020
-
Presto Recording of the Week, 13th March 2020
Cast in a single movement, this thrilling 35-minute work [Mythos] explores new pathways for the composer in an idiom entirely modern and his own while at the same time, inspired by Finno-Ugric...
About
Erkki-Sven Tüür, born in Estonia in 1959, writes music that is characterised by intense energetic transformation. The intuitive and rational approach is synthesised into a complete organic system. He is the composer of nine symphonies, ten concertos, numerous chamber works and an opera. Dedicated to his compatriot Paavo Järvi and composed to mark the centenary of the Estonian Republic in 2018, Tüür’s Ninth Symphony is entitled Mythos. According to the composer, this refers to the myths that arise about nations and how they have acquired their independence, and also deals with the long history of the Finno-Ugric peoples. Paavo Järvi and his Estonian Festival Orchestra have made the world premiere recording of this work, along with The Incantation of Tempest (Tormiloits, 2004), dedicated to the Estonian composer Veljo Tormis, and Sow the Wind, composed in 2015, inspired by climatic ‘gusts of wind’ and ‘whirlwinds’.
Contents and tracklist
Spotlight on this release
Awards and reviews
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Diapason d’OrApril 2020Critique
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Presto Recordings of the YearFinalist 2020
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Presto Recording of the Week13th March 2020
June 2020
Cast in a single movement, this thrilling 35-minute work [Mythos] explores new pathways for the composer in an idiom entirely modern and his own while at the same time, inspired by Finno-Ugric mythology, delivering an emphatic testament to Estonian independence and national identity. ..The symphony feels hewn from a single block of granite without sacrificing any richness of local colour or invention.
June 2020
It’s almost an indulgence to put three such significant, nonconcertante orchestral works by Erkki-Sven Tüür, played by a virtuoso orchestra, on a single release...Sibelius and Lindberg loom large in [the Symphony]…[[Incantations of Tempest] a muscular piece, minimalistic in concept only and another example of Tüür’s fascinating way with the orchestra.
13th March 2020
For an orchestra that only came into existence in 2011 the unity of sound easily rivals that of much longer-established ensembles; Järvi and his players (a combination of Estonian emerging talent and top-rank international performers) seem to have an instinctive grasp of Tüür’s idiom, communicating his sweeping gestures in perfect coordination as if they were one musician.