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The Diabelli Project

Rudolf Buchbinder (piano)

The Diabelli Project

Awards:

The individual variations, specially commissioned from contemporary composers and played here en suite, share an aroma of freshness due to their unfamiliarity. They also elicit from Buchbinder...

The Diabelli Project

Rudolf Buchbinder (piano)

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

The individual variations, specially commissioned from contemporary composers and played here en suite, share an aroma of freshness due to their unfamiliarity. They also elicit from Buchbinder...

About

Celebrated pianist and renowned Beethoven specialist Rudolf Buchbinder will release his first album on Deutsche Grammophon. The collaboration sees him record not only his own new interpretation of Beethoven's Diabelli Variations but to commission 12 new variations himself, echoing the original story where in 1819 music publisher and composer Anton Diabelli wrote a 32-bar German Dance – a forerunner of the waltz – and sent it to more than 50 Austrian composers, asking each of them to write a variation on his original theme.

Buchbinder has invited 12 contemporary composers to write a variation on Diabelli’s theme including (in order of appearance) Lera Auerbach (*1973), Brett Dean (*1961), Toshio Hosokawa (*1955), Christian Jost (*1963), Brad Lubman (*1962), Philippe Manoury (*1952), Krzysztof Penderecki (*1933), Max Richter (*1966), Rodion Shchedrin (*1932), Johannes Maria Staud (*1974), Tan Dun (*1957) and Jörg Widmann (*1973).

At the time, Diabelli received contributions from Johann Nepomuk Hummel (1778-1837), Frédéric Kalkbrenner (1785-1849), Conradin Kreutzer (1780-1849), Franz Liszt (1811-1886), who was barely eight years old when the invitation was issued, Ignaz Moscheles (1794-1870), Franz Xaver Wolfgang Mozart (1791-1844), Franz Schubert (1797-1828) and Carl Czerny (1791-1857). Buchbinder has included these 8 variations that the original composer Diabelli received back on the album as well.

Beethoven initially refused to write anything, and supposedly dismissed the theme for its banality – but four years later he sent the publisher his own Thirty-Three Variations on a Waltz by Diabelli. The set, later hailed by conductor Hans von Bülow as a “microcosm of Beethoven’s genius”, turned out to be the composer’s last completed large-scale piano work.

Contents and tracklist

Tema (Vivace)
Track length0:46
Var. 1 (Alla marcia maestoso)
Track length1:15
Var. 2 (Poco allegro)
Track length0:45
Var. 3 (L’istesso tempo)
Track length1:29
Var. 4 (Un poco più vivace)
Track length1:10
Var. 5 (Allegro vivace)
Track length0:51
Var. 6 (Allegro ma non troppo e serioso)
Track length1:28
Var. 7 (Un poco più allegro)
Track length1:01
Var. 8 (Poco vivace)
Track length1:17
Var. 9 (Allegro pesante e risoluto)
Track length1:39
Var. 10 (Presto)
Track length0:36
Var. 11 (Allegretto)
Track length1:06
Var. 12 (Un poco più moto)
Track length0:54
Var. 13 (Vivace)
Track length0:56
Var. 14 (Grave e maestoso)
Track length3:10
Var. 15 (Presto scherzando)
Track length0:33
Var. 16 (Allegro)
Track length0:57
Var. 17 (Allegro)
Track length1:01
Var. 18 (Poco moderato)
Track length1:46
Var. 19 (Presto)
Track length0:57
Var. 20 (Andante)
Track length1:52
Var. 21 (Allegro con brio. Meno allegro)
Track length0:57
Var. 22 (Allegro molto, alla ‘Notte e giorno faticar’ di Mozart)
Track length0:37
Var. 23 (Allegro assai)
Track length0:49
Var. 24 (Fughetta. Andante)
Track length2:06
Var. 25 (Allegro)
Track length0:40
Var. 26 (Piacevole)
Track length1:14
Var. 27 (Vivace)
Track length0:54
Var. 28 (Allegro)
Track length0:58
Var. 29 (Adagio ma non troppo)
Track length1:10
Var. 30 (Andante, sempre cantabile)
Track length1:50
Var. 31 (Largo, molto espressivo)
Track length3:53
Var. 32 (Fugue. Allegro)
Track length2:56
Var. 33 (Tempo di Minuet moderato)
Track length4:02

Awards and reviews

  • Presto Editor's Choice
    March 2020
  • Opus Klassik Awards
    2020
    Nominee - Instrumentalist of the Year 

June 2020

The individual variations, specially commissioned from contemporary composers and played here en suite, share an aroma of freshness due to their unfamiliarity. They also elicit from Buchbinder a richer and more varied palette than he uses in Beethoven…Shchedrin’s variation is the wittiest of the lot and one of the more pianistically imaginative.

March 2020

This lovely album brims over with affection, exuberance and inventiveness, not only in the companion-pieces written for Buchbinder but also in the veteran Austrian pianist’s energetic account of Beethoven’s original. Of the new works, Christian Jost’s rambunctious Rock it Rudi and Jörg Widmann’s delicious ‘wrong-note rag’ variation (taking in boogie-woogie and the Radetzsky March along the way) are particular delights.
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