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Weckmann: Complete Organ Music

Matteo Venturini (organ)

Weckmann: Complete Organ Music
Pre-Bach German composer Matthias Weckmann’s Italianate works are thrilling, and stylishly performed on a splendid Italian organ.

Weckmann: Complete Organ Music

Matteo Venturini (organ)

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This release includes a digital booklet

Stream now Hi-RES 48 kHz, 24 bit
Pre-Bach German composer Matthias Weckmann’s Italianate works are thrilling, and stylishly performed on a splendid Italian organ.

About

• This 3CD set presents the complete organ works by Weckmann, a collection of Canzonas, Toccatas, Preludes and Fantasias.

• Matthias Weckmann (1616-1674) was an organist and composer of the North German School. His musical training took place at the Dresden court, where he was a pupil of Heinrich Schütz, studying organ and singing. In 1633 he went to Hamburg to study with the famous organist Jacob Praetorius. He influenced by Schütz as well as pupils of Sweelinck who settled in Hamburg. The rest of his life he held important posts in Hamburg (organist of the Jacobskirche) and at the Dresden Court.

• Weckmann follows in the steps of both Schütz and Sweelinck, fusing the Italian characteristics of Frescobaldi and Monteverdi with the North German principles of Scheidemann and Praetorius.

• Played on the Dell’Orto & Lanzini organ of the parish Church in Pinerolo, Italy, built in the German Baroque Style of Arp Schnitger, the specifications of which are included in the booklet. Organist Matteo

Venturini already successfully recorded organ works by Mühtel and Gronau for Brilliant Classics.

Contents and tracklist

Fantasia ex D in D Minor
Track length5:03
Versus 1. – choral in tenor
Track length1:59
Versus 2. – à 2 Clav. è Ped.
Track length2:43
Versus 3. – à 2 Clav.
Track length2:27
Primus versus – à 4
Track length1:34
Secundus versus – Auff 2 Clavir
Track length6:40
Tertius versus – Auff 2 Clavir à 4
Track length2:06
Quartus versus – à 3
Track length1:34
Primus versus – à 4
Track length1:27
Secundus versus – Auff 2 Clavir
Track length1:24
Tertius versus – à 3 voc.
Track length1:02
Primus versus
Track length2:13
Secundus versus – Auff zwey Clavier
Track length3:16
Tertius versus
Track length2:39
Primus versus – à 5 Voc. Im vollen Werck
Track length4:05
Secundus versus – Manualiter, canon in hyperdiapente post minimam
Track length2:56
Tertius verus – Vff 2 Clavi
Track length4:09
Quartus versus – à 3. Pedaliter, canon in sub diapason post semiminimam
Track length2:28
Quintus versus – à 3. Pedaliter, canon in disdiapente post semiminimam
Track length3:01
Sextus versus – Vff 2 Clavier
Track length14:51
Septimus et ultimus versus – Im vollen Werck, Coral im Tenor, manualiter et pedaliter
Track length4:39
Primus versus – à 5
Track length1:36
Secundus versus – à 4, Auff 2 Clavir
Track length2:54
Tertius versus – à 5
Track length2:07
Quartus versus – à 6
Track length1:20
Præludium – à 5 Vocum
Track length5:03
Primus versus – à 4
Track length2:56
Secundus versus – Auff 2 Clavir
Track length4:24
Primus versus
Track length2:36
Secundus versus - Auff 2 Clavir
Track length4:18
Tertius versus - A 3
Track length3:51
Toccata vel præludium primi toni in D Minor
Track length2:41
Primus versus – à 5, Im vollen Werck
Track length3:01
Secundus versus – à 4. Choral in Cantu, manualiter vel si placet pedaliter
Track length3:15
Tertius versus – à 4 Voc.
Track length2:37
Quartus versus – 1. Variatio, manualiter – 2. Variatio – 3. Variatio a 3 Voc., canon in hypodiapason post emiminimam, manualiter – 4. Variatio canon in hypodiapason post semiminimam, manualiter vel pedaliter
Track length9:46
Quintus versus – Auff 2 Clavier
Track length6:18
Sextus versus – à 5 Im vollen Werck
Track length2:40

Awards and reviews

June 2020

Pre-Bach German composer Matthias Weckmann’s Italianate works are thrilling, and stylishly performed on a splendid Italian organ.

May 2020

In his organ works, Weckmann achieves a marriage of styles between the Italian- influenced music of Heinrich Schütz and the contrapuntal complexity and refinement of the Dutch keyboard school from Jan Pieterszoon Sweelinck. For this recording, Venturini sensibly interleaves the shorter toccatas, canzonas and preludes between the larger chorale fantasies.There is no shortage of characterful sounds for Venturini to draw on, and his fine performances embrace Weckmann’s different styles with grace, conviction, occasional humour and virtuosity aplenty.
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