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Special offer. Stephen Dodgson: Chamber Music, Volume Five

Music for Winds II

Magnard Ensemble

Stephen Dodgson: Chamber Music, Volume Five
This collection of his chamber music for winds, spanning the years 1958 to 2004, displays an arresting sense for unusual timbral blending, as well an elegant and precise Neolassical construction...

Special offer. Stephen Dodgson: Chamber Music, Volume Five

Music for Winds II

Magnard Ensemble

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This collection of his chamber music for winds, spanning the years 1958 to 2004, displays an arresting sense for unusual timbral blending, as well an elegant and precise Neolassical construction...

About

This fifth album in the Toccata Classics survey of the chamber music of London-born Stephen Dodgson (19242013) offers a second instalment of his many works for woodwinds, as well as a duo for the unusual combination of horn and harp. Much of it brings Dodgsons sense of fun to the fore, often through rhythmic mischief or an insouciance that recalls Poulenc. It can have a spiky vivacity that suggests Janáek, too, and a hint of Baroque formality but it also has that particularly English strain of lyricism that suggests the impermanence of beauty.

Contents and tracklist

I. Poco lento – Allegro – Poco lento
Track length7:41
II. Allegro
Track length10:23
I. Poco lento
Track length1:50
II. Allegro ben moderato
Track length1:34
III. Andante
Track length1:43
IV. Vivace
Track length2:25
Introduction. Andante maestoso
Track length1:35
Theme. Poco allegro, amabile
Track length0:59
Var. 1. Alla Mazurka
Track length0:48
Var. 2
Track length1:02
Var. 3. Scherzando
Track length0:45
Var. 4
Track length1:17
Var. 5. Più tranquillo. Semplice
Track length1:26
Var. 6. Allegro vivace
Track length1:33
I. Ouverture
Track length3:21
II. Pastorale
Track length3:40
III. Menuets I & II
Track length4:23
IV. Musette
Track length3:50
V. Rondeau
Track length3:47
I. Andante
Track length2:39
II. Allegro scherzando
Track length3:08
III. Moderato
Track length3:11

Awards and reviews

September/October 2020

This collection of his chamber music for winds, spanning the years 1958 to 2004, displays an arresting sense for unusual timbral blending, as well an elegant and precise Neolassical construction that honors Stravinsky. These qualities are best appreciated in the three quintets, which all feature gossamer textures that allow each instrument to stand out with individuality while at the same time presenting an engaging ensemble.
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