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Bach Bartók

Julien Libeer (piano)

Bach Bartók
One might be left wondering if a whole disc devoted to each [composer] might have been more satisfying. It’s nevertheless a striking tribute to Libeer’s ability to conjure up different atmospheres...

Bach Bartók

Julien Libeer (piano)

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This release includes a digital booklet

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One might be left wondering if a whole disc devoted to each [composer] might have been more satisfying. It’s nevertheless a striking tribute to Libeer’s ability to conjure up different atmospheres...

About

Beyond their lifelong interest in keyboard instruments of all types (organ, harpsichord and clavichord in the case of Bach; modern piano as a percussion instrument in the case of Bartók), other shared concerns connect these two giants of classical music who at first glance appear to be polar opposites.

The juxtaposition of the two composers is not the least appeal of this album which also marks Julien Libeer’s first project for harmonia mundi: this ardent advocate of a clear and direct approach deftly combines keen intuition with a sense of formal rigour to bring four masterful examples of the ‘suite’ genre into a dialogue spanning across the centuries that set them apart.

Contents and tracklist

I. Allemande
Track length3:10
II. Courante
Track length1:39
III. Sarabande
Track length4:39
IV. Gavotte
Track length1:07
V. Bourrée
Track length1:24
VI. Loure
Track length2:18
VII. Gigue
Track length3:17
I. With Drums and Pipes. Pesante
Track length1:52
II. Barcarolla. Andante
Track length2:44
III. Musettes. Moderato
Track length3:10
IV. The Night's music. Lento
Track length5:21
V. The Chase. Presto
Track length2:20
I. Sinfonia
Track length4:39
II. Allemande
Track length4:31
III. Courante
Track length2:36
IV. Sarabande
Track length3:38
V. Rondeaux
Track length1:36
VI. Capriccio
Track length3:18
I. Allegretto
Track length2:06
II. Scherzo
Track length1:56
III. Allegro molto
Track length2:12
IV. Sostenuto
Track length2:50

Spotlight on this release

Awards and reviews

April 2020

One might be left wondering if a whole disc devoted to each [composer] might have been more satisfying. It’s nevertheless a striking tribute to Libeer’s ability to conjure up different atmospheres that this contrast makes such an impression. Indeed, it’s almost impossible to fault his playing – unless, of course, you are deeply allergic to Bach on the modern piano.

March 2020

Libeer’s Bach takes full advantage of the modern concert grand’s dynamic and timbral resources while keeping within stylistically acceptable parameters…

1st March 2020

It’s no surprise to find Libeer names the Romanian pianist Dinu Lipatti (1917-50) as an influence. Libeer, too, in his Bach, has a similar purity of style, finesse and a fluid, rhythmic energy.
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