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Special offer. Auber: Le cheval de bronze

Leo Heppe, Wilma Jung, Franz Fuchs, Edith Kermer, Tino di Costa, Kurt Equiluz, Herta Schmidt, Grosses Wiener Rundfunkorchester, Niederösterreichischer Tonkünstlerchor, Kurt Richter

Auber: Le cheval de bronze
In broad terms the performance is rough and ready, and occasionally sloppy— Auber’s carefully placed vocal accents are often ignored—but there’s nevertheless a certain spirit to it...Arguably...

Special offer. Auber: Le cheval de bronze

Leo Heppe, Wilma Jung, Franz Fuchs, Edith Kermer, Tino di Costa, Kurt Equiluz, Herta Schmidt, Grosses Wiener Rundfunkorchester, Niederösterreichischer Tonkünstlerchor, Kurt Richter

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
In broad terms the performance is rough and ready, and occasionally sloppy— Auber’s carefully placed vocal accents are often ignored—but there’s nevertheless a certain spirit to it...Arguably...

About

Daniel Francois-Esprit Auber (1782-1871) was the most amiable French composer of the 19th century. His sparkling and beautiful overtures were once universally as famous as those of Rossini and Suppé. The greatest turning point in Auber’s life was meeting the librettist Eugène Scribe (1791-1861), with whom he developed a long and hugely successful working partnership. Success followed success; works such as Le Maçon (1825) and La Muette de Portici (1828) brought Auber public fame and official recognition.

Le Cheval de bronze, an opéra-féerique in three acts, derived from the tale « Les Sept Fils du Calender » in The Arabian Nights, unfolds in Shantung providence in a fairy tale China of long ago. The magical Bronze Horse of the title, appearing mysteriously on a nearby hill, will transport any man who climbs onto its back to the planet Venus, home to group of female sirens, led by the lovely Princess Stella. If the traveler in space can resist the sirens’ advances, he can return to earth with the lady of his choice; if not, he is whisked back alone, and turned to stone if he speaks of his experiences…

Contents and tracklist

Overture
Track length7:41
Klingt, ihr Glöckchen der Pagode
Track length0:59
O Kjo-schangs! Du Blauer
Track length1:42
Mädchen, seit ich jüngst dich erblickt
Track length2:42
Wer kommt denn da?
Track length1:58
Man fängt an zu bangen
Track length1:00
Lieb' und Scherz sind als Begleiter
Track length2:27
Nun wohl, Tsing-Sing
Track length2:40
Oh, warum so in Tränen
Track length2:07
Am Felsen dort ragt auf der Spitze
Track length4:09
Welche Schmach!
Track length3:37
Der mut'ge Renner fliegt
Track length2:22
Fort! Auf der Ehre Bahn
Track length1:20
Mein edler Schwiegersohn
Track length1:02
O Tochter, du mein Stolz
Track length1:42
Als guter Vater wähle ich
Track length2:18
Hört Unvermählte, wie Leid oft Liebeslust vergällt
Track length3:17
Was sehe ich? Ein Wunder der Welt!
Track length6:42
Zu Tische! Zu Tische! Höst du Frau?
Track length5:13
Nun heran mit Bedacht!
Track length3:45
Halt! Was gibt's?
Track length5:51
O Paradieses-Haine, glücksel'ge Gärten ihr!
Track length1:05
Ach, ohne Leid und Sorgen
Track length5:27
Worüber magst du dich beklagen?
Track length4:42
Ruhig schlendert' ich im Garten
Track length2:10
Welch' Begehr, junger Herr!
Track length3:46
Streuet Blüten, singet Lieder!
Track length4:30

Awards and reviews

August 2020

In broad terms the performance is rough and ready, and occasionally sloppy— Auber’s carefully placed vocal accents are often ignored—but there’s nevertheless a certain spirit to it...Arguably the finest singer is Kurt Equiluz—subsequently a famous exponent of Bach’s Evangelists, but also a long-term buffo tenor at the Vienna Staatsoper— whose diction is ideal, and who is right inside the music allotted to the young peasant Yanko.
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