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Death and the Maiden

12 Ensemble

Death and the Maiden
Their intensely collaborative approach gives the Schubert a freshness and lightness of touch, regardless of the weight of additional players…Having devised their arrangement after performing...

Death and the Maiden

12 Ensemble

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96 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
Their intensely collaborative approach gives the Schubert a freshness and lightness of touch, regardless of the weight of additional players…Having devised their arrangement after performing...

About

With their own arrangement of Schubert’s iconic string quartet at its heart, the record features a brand new commission from newly-appointed ROH Composer in Residence Oliver Leith, alongside a poignant work by Tavener and a tribute to the ensemble’s time in Iceland with a heart-felt arrangement of a song by Sigur Rós.

12 Ensemble recently joined Elena Tonra (vocalist/guitarist of Daughter) for a unique, reimagined performance of her solo record as Ex:Re at Kings Place in London and in March 2020 12 Ensemble return to Kings Place for Four Seasons Recomposed, which is part of a specially curated programme of works by Max Richter.

Contents and tracklist

I. Allegro
Track length16:04
This track is only available as an album download.
II. Andante con moto
Track length14:30
III. Scherzo. Allegro molto
Track length3:58
IV. Presto
Track length9:32
I. (Like thick air)
Track length4:41
II. (Full like drips)
Track length3:50
III. (Like slow dancing in honey)
Track length8:19

Awards and reviews

April 2020

Their intensely collaborative approach gives the Schubert a freshness and lightness of touch, regardless of the weight of additional players…Having devised their arrangement after performing Mahler’s well-known string orchestra version, they render the work’s ambivalence with particular poignancy: lithe rhythms and subtle inflections of melody and dynamic contrast are set within dark-grained, burnished textures that bring the music richly alive on the bigger canvas.

March 2020

There’s a peculiar halflit quality to Leith’s writing that’s mesmeric, and I’m eager to hear more from him.
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