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Blackford: Pietà

Amy Dickson, Jennifer Johnston & Stephen Gadd

Gavin Carr

Blackford: Pietà
Though Blackford’s musical ideas may possess little originality or individuality, everything he writes is skilful and effective, often with an emotional charge, as in the opening section…Even...

Blackford: Pietà

Amy Dickson, Jennifer Johnston & Stephen Gadd

Gavin Carr

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Though Blackford’s musical ideas may possess little originality or individuality, everything he writes is skilful and effective, often with an emotional charge, as in the opening section…Even...

About

Pietà is a setting of the Stabat Mater by Richard Blackford, with additional poems by the Russian poet Anna Akhmatova. It was first premiered on June 22nd 2019 at The Lighthouse, Poole with the London premier on October 19th at Cadogan Hall. Nimbus recorded this remarkable work after the premier. "Pietà made a deep impact on me. It’s good news that Nimbus has recorded it. Let’s hope other adventurous choirs take it up." **** The Times

Contents and tracklist

I. Stabat mater dolorosa
Track length4:43
II. Quis es homo
Track length3:58
III. Pro peccatis suae gentis
Track length2:33
IV. Eia mater, fons amoris
Track length4:02
V. Sancta mater, istud agas
Track length3:49
VI. Weeks fly swiftly by
Track length3:41
VII. A chorus of angels sang
Track length3:58
VIII. Face me tecum pie flere
Track length7:32
IX. Flammis ne urar succensus
Track length6:38

Awards and reviews

April 2020

Though Blackford’s musical ideas may possess little originality or individuality, everything he writes is skilful and effective, often with an emotional charge, as in the opening section…Even more successful is the atmospheric, six-minute Canticle of Winter, inspired by a Robert Frost poem.

March 2020

the soloists and orchestra are excellent, and the recording is a valuable showcase for a work that deserves to enter the repertoire.

Jul/Aug 2020

The soloists of Pietà include Jennifer Johnston, whose warm and resplendent mezzo-soprano voice will please any vocal fancier. Baritone Stephen Gadd is also first-rate. Amy Dickson as the soprano saxophone soloists has a warm and pleasing tone, and makes up for the lack of the usual virtuosity that attracts saxophonists by her brilliance in expression. This disc is an all-around, hands-down winner, and should be promptly purchased by anyone interested in drop-dead gorgeous music.
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