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Handel: Messiah

Mark Padmore, Nathan Berg, Andreas Scholl, Tommy Williams, Sandrine Piau, Barbara Schlick, Les Arts Florissants, William Christie

Handel: Messiah
Christie negotiates both wide-eyed wonderment of the Nativity and the pathos of Part II with aplomb in a performance underpinned by luxury casting and instrumental finesse.

Handel: Messiah

Mark Padmore, Nathan Berg, Andreas Scholl, Tommy Williams, Sandrine Piau, Barbara Schlick, Les Arts Florissants, William Christie

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Christie negotiates both wide-eyed wonderment of the Nativity and the pathos of Part II with aplomb in a performance underpinned by luxury casting and instrumental finesse.

About

“Perhaps no one has ever asserted so forcefully the victory of the spirit over death; no one has ever spoken with such firm tenderness of acceptance and gentleness. Handel’s message is addressed to mankind oppressed by the sorrows and complications of life. Everyone can understand it: it is simple, and it is written for everyone. Sometimes this simplicity is thrown back at him as a reproach; but it is the very core of his strength, permitting him to be listened to and loved by people who never attend a concert. Which should be every composer’s ambition.” - JF Labie

Contents and tracklist

Sinfonia
Track length2:59
"Comfort ye, saith your God" (tenor)
Track length3:11
"Every valley shall be exalted" (tenor)
Track length3:20
"And the glory of the Lord shall be revealed"
Track length2:42
"Thus saith the Lord of Hosts" (bass)
Track length1:40
"But who may abide the day of His coming?" (alto)
Track length4:38
"And He shall purify the sons of Levi"
Track length2:17
"Behold, a virgin shall conceive" (alto) - "O thou that tellest good tidings to Zion" (alto)
Track length6:01
"For behold, darkness shall cover the earth" (bass) - "The people that walked in darkness" (bass)
Track length5:46
"For unto us a child is born"
Track length3:45
Pastoral Symphony (Pifa)
Track length2:55
"There were shepherds abiding in the field" (treble) - "Glory to God in the highest"
Track length3:26
"Rejoice greatly, O daughter of Zion" (soprano II)
Track length4:28
"Then shall the eyes of the blind be opened" (soprano I) - "He shall feed His flock like a shepherd" (alto & soprano I)
Track length6:04
"His yoke is easy, and His burthen is light"
Track length2:33
"Behold the lamb of God"
Track length2:26
"He was despised and rejected of men" (alto)
Track length11:11
"Surely He hath borne our griefs" - "All we like sheep have gone astray"
Track length7:29
"All they that see Him laugh Him to scorn" (tenor) - "He trusted in God that He would deliver Him"
Track length2:55
"Thy rebuke hath broken His heart" (tenor) - "Behold and see..." (tenor) - "He was cut off out of the land..." (soprano I)
Track length3:39
"But Thou didst not leave His soul in hell" (soprano I)
Track length2:48
"Lift up your heads, O ye gates"
Track length2:45
"Unto which of the angels said He at any time" (tenor) - "Let all the angels of God worship Him"
Track length1:41
"Thouart gone up on high" (soprano II)
Track length3:07
"The Lord gave the world"
Track length1:19
"How beautiful are the feet of them" (soprano I)
Track length2:36
"Their sound is gone out into all lands"
Track length1:17
"Why do the nations so furiously rage together" (bass)
Track length2:40
"Let us break their bonds asunder"
Track length1:46
"He that dwelleth in heaven shall laugh them to scorn" (tenor) - "Thou shalt break them with a rod of iron" (tenor)
Track length2:16
"Hallelujah!"
Track length3:34
"I know that my redeemer liveth" (soprano I)
Track length6:13
"Since by man came death"
Track length2:15
"Behold, I tell you a mystery" (bass) - "The trumpet shall sound" (bass)
Track length9:18
"Then shall be brought to pass..." (alto) - "O Death, where is thy sting?"(alto & tenor) - "But thanks be to God..."
Track length3:35
"If God be for us, who can be against us?" (soprano II)
Track length4:54
"Worthy is the Lamb that was slain"
Track length3:29
Amen
Track length3:27

Awards and reviews

Christmas 2013

Christie negotiates both wide-eyed wonderment of the Nativity and the pathos of Part II with aplomb in a performance underpinned by luxury casting and instrumental finesse.
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