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Bach: the French Suites

Alexandra Papastefanou

Her approach is undeniably idiosyncratic. On the one hand a razor-sharp articulation and historically-informed awareness of Bach’s dance modes aligns her with harpsichordist free-spirits such...

Bach: the French Suites

Alexandra Papastefanou

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2 CDs

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This release includes a digital booklet

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Her approach is undeniably idiosyncratic. On the one hand a razor-sharp articulation and historically-informed awareness of Bach’s dance modes aligns her with harpsichordist free-spirits such...

About

The second album for FHR by the award winning, leading interpreter of J.S. Bach on piano: Alexandra Papastefanou. Here, we are presented with another classic set of keyboard works by the composer, The French Suites. Papastefanou, Greece’s leading pianist, is now regarded worldwide as a leading exponent of Bach on the piano. Her previous recording for FHR (The Well-Tempered Clavier, 2018 [FHR65], did incredibly well with the music press and critics (MusicWeb International RECORDING OF THE MONTH The Union of Greek Theatre and Music Critics Award: BEST RECORDING OF 2018, 5 stars from BBC Music Magazine).

On listening to Alexandra’s Well-Tempered Clavier recording, the great pianist Alfred Brendel commented: ‘I find Papastefanou’s Bach riveting. This is Bach playing on a high level - full of life, controlled in all strands of the music, pianistically immaculate, and highly personal. Here is a Bach player who has lived a lifetime with this music.’

Amongst the other works featured on the album is the Keyboard Sonata, BWV 964, Bach’s own transcription for keyboard of the Sonata in A minor, BWV 1003 for Solo Violin. This is rarely recorded on the piano, so it’s a welcome addition to the catalogue.

Contents and tracklist

I. Allemande
Track length3:32
II. Courante
Track length1:53
III. Sarabande
Track length3:34
IV. Menuets I & II
Track length3:04
V. Gigue
Track length2:47
I. Allemande
Track length3:12
II. Courante
Track length1:43
III. Sarabande
Track length3:16
IV. Air
Track length1:25
V. Menuets I & II
Track length3:36
VI. Gigue
Track length2:23
I. Allemande
Track length3:40
II. Courante
Track length2:05
III. Sarabande
Track length3:30
IV. Anglaise
Track length1:19
V. Menuet I - Trio - Menuet II
Track length4:18
VI. Gigue
Track length1:57
I. Prélude
Track length1:46
I. Allemande
Track length2:52
II. Courante
Track length1:38
III. Sarabande
Track length3:02
V. Gavottes I & II
Track length4:37
V. Menuet
Track length0:48
VI. Air
Track length1:35
VII. Gigue
Track length2:14
I. Allemande
Track length3:06
II. Courante
Track length1:37
III. Sarabande
Track length4:39
IV. Gavotte
Track length1:12
V. Bourrée
Track length1:22
VI. Loure
Track length2:07
VII. Gigue
Track length3:21
I. Allemande
Track length2:35
II. Courante
Track length1:33
III. Sarabande
Track length3:42
IV. Gavotte
Track length1:10
V. Polonaise
Track length1:20
VIII. Menuet
Track length1:08
VI. Bourrée
Track length1:22
VII. Gigue
Track length2:17
I. Adagio
Track length4:15
II. Fuga. Allegro
Track length6:17
III. Andante
Track length4:49
IV. Allegro
Track length4:35

Awards and reviews

March 2020

Her approach is undeniably idiosyncratic. On the one hand a razor-sharp articulation and historically-informed awareness of Bach’s dance modes aligns her with harpsichordist free-spirits such as Richard Egarr; yet her search for ‘affekt’ is eclectic and she never forgets that her instrument of choice is a Steinway concert grand…Papastefanou’s is Bach playing of considerable distinction, vivacity and insight.

January 2020

She is first and foremost a deeply expressive player, whose Bach speaks with tremendous stylistic assurance. She pulls off the ‘unmeasured prelude’ of the E flat French Suite with the improvisatory élan of a schooled continuo veteran...Rather than imposing a didactic approach on her listeners, Papastefanou beckons them towards Bach by the gentle exercise of her own enthusiasm and sensibilities.
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