Bach: the French Suites
Alexandra Papastefanou
Her approach is undeniably idiosyncratic. On the one hand a razor-sharp articulation and historically-informed awareness of Bach’s dance modes aligns her with harpsichordist free-spirits such...
Bach: the French Suites
Alexandra Papastefanou
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Her approach is undeniably idiosyncratic. On the one hand a razor-sharp articulation and historically-informed awareness of Bach’s dance modes aligns her with harpsichordist free-spirits such...
About
The second album for FHR by the award winning, leading interpreter of J.S. Bach on piano: Alexandra Papastefanou. Here, we are presented with another classic set of keyboard works by the composer, The French Suites. Papastefanou, Greece’s leading pianist, is now regarded worldwide as a leading exponent of Bach on the piano. Her previous recording for FHR (The Well-Tempered Clavier, 2018 [FHR65], did incredibly well with the music press and critics (MusicWeb International RECORDING OF THE MONTH The Union of Greek Theatre and Music Critics Award: BEST RECORDING OF 2018, 5 stars from BBC Music Magazine).
On listening to Alexandra’s Well-Tempered Clavier recording, the great pianist Alfred Brendel commented: ‘I find Papastefanou’s Bach riveting. This is Bach playing on a high level - full of life, controlled in all strands of the music, pianistically immaculate, and highly personal. Here is a Bach player who has lived a lifetime with this music.’
Amongst the other works featured on the album is the Keyboard Sonata, BWV 964, Bach’s own transcription for keyboard of the Sonata in A minor, BWV 1003 for Solo Violin. This is rarely recorded on the piano, so it’s a welcome addition to the catalogue.
Contents and tracklist
- Alexandra Papastefanou
- Alexandra Papastefanou
- Alexandra Papastefanou
- Alexandra Papastefanou
- Alexandra Papastefanou
- Alexandra Papastefanou
- Alexandra Papastefanou
- Alexandra Papastefanou
- Alexandra Papastefanou
- Alexandra Papastefanou
- Alexandra Papastefanou
Awards and reviews
March 2020
Her approach is undeniably idiosyncratic. On the one hand a razor-sharp articulation and historically-informed awareness of Bach’s dance modes aligns her with harpsichordist free-spirits such as Richard Egarr; yet her search for ‘affekt’ is eclectic and she never forgets that her instrument of choice is a Steinway concert grand…Papastefanou’s is Bach playing of considerable distinction, vivacity and insight.
January 2020
She is first and foremost a deeply expressive player, whose Bach speaks with tremendous stylistic assurance. She pulls off the ‘unmeasured prelude’ of the E flat French Suite with the improvisatory élan of a schooled continuo veteran...Rather than imposing a didactic approach on her listeners, Papastefanou beckons them towards Bach by the gentle exercise of her own enthusiasm and sensibilities.