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Italia per sempre

RedHerring Baroque Ensemble

Italia per sempre

Italia per sempre

RedHerring Baroque Ensemble

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About

<p>The RedHerring Baroque Ensemble presents an album of unique repertoire by composers who preferred to stay "at home" in Italy, meaning the music is virtually untouched by external influences. Performed on historical instruments with authentic performance practice in mind, the ensemble bring works by Domenico Sarri, Leonardo Leo, Giovanni Antonio Canuti, Alessandro Scarlatti, Nicolo Fiorenza and Francesco Mancini to life. <p>Italy is Europe's largest exporter of wine, and the second-largest exporter of olive oil, but in the 16th century it was by far the largest exporter of music. We even think of the 17th century as a period of "Export Italianism": after Monteverdi invented baroque music more or less on his own European courts and cities (Vienna, Paris, Amsterdam, and especially London) sparkled with the splendour of Latin innovation, and with the Italian geniuses who sparked it far away from their Mediterranean home towns. But some Italians preferred to stay at home: big names like Alessandro Scarlatti and Albinoni, but also delightful incogniti such as Leonardo Leo, Nicolo Fiorenza, Giovanni Antonio Canuti and Francesco Mancini. They developed a hyper-personal style which was impervious to international fashion, and (especially in the South) characterized by extravagance and a distinct couleur locale. Their works are virtually unknown, but as local archives are shedding their treasures through digitization projects, more and more gems are finding their ways to recordings such as the present one. <p>There is no better advocate for this sun-drenched repertoire than the Antwerp ensemble RedHerring. Founded in 2011 by recorder player Patrick Denecker, RedHerring boasts some of Belgium's finest baroque pioneers such as violinist Ryo Terakado, viol player Kaori Uemura and lutenist Philippe Malfeyt. These virtuosi bring the all-Italian menu to life in the attractive and acclaimed fashion of preceding projects. Both Klara Radio and Fono Forum awarded the 2016 recording La Muse and La Mise dedicated to 18th century French salon jams with 5/5, while De Standaard called it "at once refined and careless, gold-framed and fleeting; a CD which embodies an evening spent in good company". <p>Artists: RedHerring Baroque Ensemble Annelies Van Gramberen - Soprano Guy Penson - Harpsichord Philippe Malfeyt - Theorbo Jan Bontinck - Violoncello Kaori Uemura - Violone Valerio Latartara - Viola Dirk Vandaele - Violin Ryo Terakado - Violin Patrick Denecker - Recorder

Contents and tracklist

I. Amoroso
Track length3:59
II. Adagio
Track length1:12
III. Allegro
Track length1:31
I. Recit "Agnellino innocente"
Track length1:20
II. Aria "Innocente la colomba"
Track length4:23
III. Recit "Cosi quest'alma amante"
Track length1:00
IV. Aria "La vaga farfalleta"
Track length3:06
I. Largo
Track length1:44
II. Allegro
Track length1:33
III. Largo
Track length1:35
IV. Allegro
Track length1:46
I. Largo / Grave
Track length2:29
II. Allegro
Track length2:04
III. Largo / Grave
Track length2:27
IV. Allegro assai
Track length1:11
I. Allegro
Track length2:03
II. Grave
Track length1:31
III. Andante
Track length1:52
I. Aria "Dir vorrei quel bel contento"
Track length4:13
II. Recit "Ah che quei caribaci"
Track length0:48
III. Aria "Tacero non parlero"
Track length3:36
I. Adagio
Track length2:24
II. Allegro
Track length2:47
III. Largo
Track length1:42
IV. Vivace
Track length2:34
I. Largo
Track length1:33
II. Allegro
Track length3:31
III. Larghetto
Track length1:58
IV. Spiritoso
Track length1:56
I. Moderato
Track length1:47
II. Allegro
Track length4:01
III. Largo
Track length1:53
IV. Allegro
Track length3:20
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