Monteverdi: Vespro
La Tempête, Simon-Pierre Bestion
It’s certainly not the marble-fronted, coolly classical city so many accounts of this work would suggest. La Tempête’s Venice is all cosmopolitan collisions, the crossroads of Europe – busy,...
Monteverdi: Vespro
La Tempête, Simon-Pierre Bestion
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It’s certainly not the marble-fronted, coolly classical city so many accounts of this work would suggest. La Tempête’s Venice is all cosmopolitan collisions, the crossroads of Europe – busy,...
About
Here are the Monteverdi Vespers as you’ve never heard them before! ‘I see these Vespers as a great incantatory ritual that connects the sacred with the pagan, the intimate with the collective. I experienced this powerful sensation many times in my childhood, in the choir of an abbey: the intense, warm light of a late summer day, filtering in from the west and reflected all the way up to the choir’, says Simon-Pierre Bestion. The founder of La Tempête has made very personal choices for this recording, notably concerning the composition of the orchestra, which he has enriched with instruments from different cultures, including the serpent and the chitarrone. He has added ‘fauxbourdons’, simple improvised chants deriving from folk tradition. The colours of the voices in these Vespers are also very unusual: Bestion follows in the tradition of oral polyphony as it still exists in Corsica, Sardinia and Georgia
Contents and tracklist
- Sébastien Obrecht, Florent Martin, Francisco Mañalich, Eugénie de Mey, Renaud Bres, Arnaud Richard, Vivien Simon, Cécile Banquey, Fabrice Foison, Simon-Pierre Bestion, Alice Kamenezky, Edouard Monjanel, Eudes Peyre, Pierre-Antoine Chaumien, Jean-Christophe Brizard, La Tempête, Floriane Hasler, Fiona McGown, Axelle Berner, Axelle Verner, Claire Lefilliâtre
Awards and reviews
January 2020
It’s certainly not the marble-fronted, coolly classical city so many accounts of this work would suggest. La Tempête’s Venice is all cosmopolitan collisions, the crossroads of Europe – busy, dirty, bustling with as many prostitutes as priests...The style of performance is as irreverent and wide-ranging as the musical material...Judged against its own quirky standards, Bestion’s account makes its case.
3rd November 2019
The sounds are strange yet beguiling, and wonderfully delivered by Bestion’s solo consort singers, who ravish the ear in Pulchra es and Duo Seraphim, and pull out all the stops in the big ensemble pieces.