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Monteverdi: Vespro

La Tempête, Simon-Pierre Bestion

Monteverdi: Vespro
It’s certainly not the marble-fronted, coolly classical city so many accounts of this work would suggest. La Tempête’s Venice is all cosmopolitan collisions, the crossroads of Europe – busy,...

Monteverdi: Vespro

La Tempête, Simon-Pierre Bestion

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It’s certainly not the marble-fronted, coolly classical city so many accounts of this work would suggest. La Tempête’s Venice is all cosmopolitan collisions, the crossroads of Europe – busy,...

About

Here are the Monteverdi Vespers as you’ve never heard them before! ‘I see these Vespers as a great incantatory ritual that connects the sacred with the pagan, the intimate with the collective. I experienced this powerful sensation many times in my childhood, in the choir of an abbey: the intense, warm light of a late summer day, filtering in from the west and reflected all the way up to the choir’, says Simon-Pierre Bestion. The founder of La Tempête has made very personal choices for this recording, notably concerning the composition of the orchestra, which he has enriched with instruments from different cultures, including the serpent and the chitarrone. He has added ‘fauxbourdons’, simple improvised chants deriving from folk tradition. The colours of the voices in these Vespers are also very unusual: Bestion follows in the tradition of oral polyphony as it still exists in Corsica, Sardinia and Georgia

Contents and tracklist

Faux-bourdon Domine ad adjuvandum me
Track length1:30
Toccata et Domine ad adjuvandum me
Track length3:07
Antienne Gaudeamus omnes
Track length1:31
Faux-bourdon Dixit Dominus
Track length5:03
Dixit Dominus
Track length9:06
Nigra sum
Track length3:59
Antienne Diffusa est gratia
Track length2:37
Faux-bourdon Laudate pueri
Track length4:08
Laudate pueri
Track length7:43
Pulchra es
Track length3:56
Antienne Tota pulchra es
Track length2:00
Faux-bourdon Laetatus sum
Track length5:25
Laetatus sum
Track length8:24
Duo Seraphim
Track length7:02
Antienne Recordare Virgo Mater
Track length2:48
Faux-bourdon Nisi Dominus
Track length3:59
Nisi Dominus
Track length4:49
Ricercar sopra Sancta Maria (Frescobaldi)
Track length3:00
Audi caelum
Track length8:24
Antienne Felix es sacra Virgo
Track length2:16
Faux-bourdon Lauda Jerusalem
Track length5:10
Lauda Jerusalem
Track length4:39
Antienne Assumpta est Maria
Track length0:42
Sonata sopra Sancta Maria
Track length6:43
Ave maris stella
Track length10:52
Magnificat
Track length1:00
Magnificat 'Et exultavit'
Track length1:18
Magnificat 'Quia respexit'
Track length2:09
Magnificat 'Quia fecit'
Track length1:08
Magnificat 'Et misericordia'
Track length2:51
Magnificat 'Fecit potentiam'
Track length0:57
Magnificat 'Deposuit'
Track length2:53
Magnificat 'Esurientes'
Track length1:49
Magnificat 'Suscepit Israel'
Track length1:34
Magnificat 'Sicut locutus'
Track length0:53
Magnificat 'Gloria Patri'
Track length3:38
Magnificat 'Sicut erat'
Track length2:40

Awards and reviews

January 2020

It’s certainly not the marble-fronted, coolly classical city so many accounts of this work would suggest. La Tempête’s Venice is all cosmopolitan collisions, the crossroads of Europe – busy, dirty, bustling with as many prostitutes as priests...The style of performance is as irreverent and wide-ranging as the musical material...Judged against its own quirky standards, Bestion’s account makes its case.

3rd November 2019

The sounds are strange yet beguiling, and wonderfully delivered by Bestion’s solo consort singers, who ravish the ear in Pulchra es and Duo Seraphim, and pull out all the stops in the big ensemble pieces.
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