Free America!
Boston Camerata and Anna Azéma
Unsurprisingly there are plenty of rousing moments, as the jubilation of new nationhood is celebrated…But over the upbeat music of victory hangs the heavy shroud of social conditions in the...
Free America!
Boston Camerata and Anna Azéma
Purchase product
Unsurprisingly there are plenty of rousing moments, as the jubilation of new nationhood is celebrated…But over the upbeat music of victory hangs the heavy shroud of social conditions in the...
About
‘Free America!: Early Songs Of Resistance And Rebellion’ celebrates the ideas and hopes which preoccupied the young American Republic in the years 1770 - 1780: the need for freedom of assembly, a willingness to rebel and go into battle fully aware of the cost but, above all, a desire for a new harmony whose songs, hymn tunes, and marches accompany the long journey to a new ‘promised land’. A powerful message that informs the first collaboration between harmonia mundi and Anne Azéma, now leading the Boston Camerata.
Contents and tracklist
- Eric Martin (soloist)
- Boston Camerata
- Anne Azéma
- Eric Martin (soloist)
- Boston Camerata
- Joel Frederiksen (soloist), John Taylor Ward (soloist)
- Boston Camerata
- Eric Martin (soloist)
- Boston Camerata
- John Taylor Ward (soloist)
- Boston Camerata
- Anne Azéma
- Jesse Lepkoff (soloist), Eric Martin (soloist), Timothy Leigh Evans (soloist), Deborah Rentz-Moore (soloist)
- Boston Camerata
- Anne Azéma
- Deborah Rentz-Moore (soloist), Camila Parias (soloist)
- Boston Camerata
- Anne Azéma
- Jesse Lepkoff (soloist), Eric Martin (soloist), Andrea Wirth (soloist)
- Boston Camerata
- Deborah Rentz-Moore (soloist)
- Boston Camerata
- Joel Frederiksen (soloist), John Taylor Ward (soloist), Timothy Leigh Evans (soloist)
- Boston Camerata
- Joel Frederiksen (soloist)
- Boston Camerata
Awards and reviews
December 2019
Unsurprisingly there are plenty of rousing moments, as the jubilation of new nationhood is celebrated…But over the upbeat music of victory hangs the heavy shroud of social conditions in the country.
December 2019
The singing and playing – on strings, flutes, fifes and percussion – are plain but not raucous and the sound nicely naturalistic, as if we really were in a meeting hall.
November 2019
Much sounds like folk song but everything is notated, with partsongs often cast in what Anne Azéma refers to in the notes as ‘rough-hewn frontier harmonies’...The results are homespun but stirring, thanks in no small part to the disc’s journey from rallying to repentance and eventually pride...Most impressive is this group’s channelling of ‘a young society full of vigour’ in performances that prioritise the time and the feeling over any idea of perfection or the concert hall.