The group’s period-instrument sonority and basic approach will be familiar from earlier releases in this series: sparing use of vibrato (but liberal use of rubato), observance of all repeats in the outer movements, broad tempos and a clear, layered but buoyant ensemble sound…But overall, these are thoughtful rather than playful performances.

The virtues of these period-instrument players, in virtuoso yet probing works intended for performance in London, are well established: a perfectly balanced amalgam of rigorous counterpoint, broadly conceived slow movements, lilting minuets and exhilarating, witty finales.

The familiar opening vivace of Op 71 No 3 in E flat major is perfectly animated, and the finale’s waltz irresistible in its Viennese lilt.

the LHQ continues to provoke but also most importantly, to provide immense satisfaction.