Gunter Raphael: Flute Chamber Music
Ana Oltean
Finally, there comes the Sonatina for Flute, Viola, and Harp (1948), beautifully varied, and harmonically spicy in its finale. This is one of the triumphs of the disc, both compositionally and...
Gunter Raphael: Flute Chamber Music
Ana Oltean
Purchase product
Finally, there comes the Sonatina for Flute, Viola, and Harp (1948), beautifully varied, and harmonically spicy in its finale. This is one of the triumphs of the disc, both compositionally and...
About
Volume 6 of the Gunter Raphael Edition, released as a double album, includes Raphael’s entire chamber music oeuvre featuring the flute. The ten pieces, of varying character, can be divided into three creative periods. Most of them belong to the “transitional period” and the key development of his style since the 1930s. In his early and late stylistic periods, the composer only rarely used the flute as a chamber music instrument. Three of the works are recorded here for the very first time, among them the highly original Triptychon Maria for alto, flute, violin, viola and cello written by Raphael in 1943 for the birth of his second daughter Maria Christine using medieval lyrics.
Contents and tracklist
- Ana Oltean (soloist), Kaspar Zehnder (soloist)
- Ana Oltean (soloist)
- Ana Oltean (soloist), Doris Mende (soloist), Séverine Payet (soloist), Norihito Nishinomura (soloist)
- Ana Oltean (soloist)
- Ana Oltean (soloist), Kaspar Zehnder (soloist)
Raphael, G:
Triptychon Maria für Altstimme, Flöte, Violine, Bratsche und Violoncello: I. Langsam schwebend - II. Beschwingt III- Sehr innig
Work length12:18
This work is only available as an album download.
- Ana Oltean (soloist), Stefan Muhmenthaler (soloist), Julia Malkova (soloist), Joel Marosi (soloist), Claude Eichenberger (vocalist)
- Ana Oltean (soloist), Joel Marosi (soloist), Atena Carte (soloist)
- Ana Oltean (soloist), Stefan Muhmenthaler (soloist), Julia Malkova (soloist), Claude Eichenberge (vocalist)
- Ana Oltean (soloist), Atena Carte (soloist)
- Ana Oltean (soloist), Julia Malkova (soloist), Cornelia Lootsmann (soloist)
Awards and reviews
January/February 2020
Finally, there comes the Sonatina for Flute, Viola, and Harp (1948), beautifully varied, and harmonically spicy in its finale. This is one of the triumphs of the disc, both compositionally and in terms of the superbly calibrated performance. It forms a brilliant end to an important release: a fascinating and rewarding piece of musical archaeology with a number of world premiere recordings, caught in uniformly fabulous sound.