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Albinoni: Sinfonie a Cinque, Op. 2

Ensemble 415, Chiara Banchini

Albinoni: Sinfonie a Cinque, Op. 2
The Ensemble 415, which name I take to mean is the pitch to which its instruments are tuned, sounds absolutely stunning. If this were the way all period instrument ensembles and players sounded,...

Fanfare, March/April 2020

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Albinoni: Sinfonie a Cinque, Op. 2

Ensemble 415, Chiara Banchini

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The Ensemble 415, which name I take to mean is the pitch to which its instruments are tuned, sounds absolutely stunning. If this were the way all period instrument ensembles and players sounded,...

Fanfare, March/April 2020

More reviews

About

  • Release date: 30th Aug 2019
  • Label: Alpha
  • Series: Alpha Collection V
  • Catalogue number: ALPHA486
  • Length: 54 minutes

Contents and tracklist

Albinoni: Sinfonie a cinque in C, Op. 2 No. 2
Work length10:50
I. Largo
Track length3:31
II. Allegro
Track length2:41
III. Grave
Track length2:26
IV. Allegro
Track length2:12
Albinoni: Sonata a cinque in G minor, Op. 2, No. 6
Work length8:41
I. Adagio
Track length1:57
II. Allegro
Track length2:32
III. Grave
Track length2:07
IV. Allegro
Track length2:05
Albinoni: Sinfonie a cinque in G minor, Op. 2 No. 4
Work length8:27
I. Grave
Track length2:14
II. Allegro assai
Track length2:05
III. Adagio
Track length2:02
IV. Allegro
Track length2:06
Albinoni: Sonata a cinque in D major, Op. 2 No. 5
Work length8:31
I. Largo
Track length2:38
II. Allegro assai
Track length2:15
III. Grave
Track length1:49
IV. Allegro
Track length1:49
Albinoni: Sinfonie a cinque in G major, Op. 2 No. 1
Work length8:14
I. Grave - Adagio
Track length1:26
II. Allegro
Track length2:33
III. Adagio
Track length2:17
IV. Allegro
Track length1:58
Albinoni: Sonata a cincue in A minor, Op. 2 No. 3
Work length9:17
I. Grave
Track length2:31
II. Allegro
Track length2:13
III. Adagio
Track length1:49
IV. Allegro
Track length2:44

Awards and reviews

March/April 2020

The Ensemble 415, which name I take to mean is the pitch to which its instruments are tuned, sounds absolutely stunning. If this were the way all period instrument ensembles and players sounded, you’d never hear a peep of criticism out of me again. Beautiful!
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