Special offer. Ivan Ilić plays Haydn: Symphonies
transcribed for piano by Carl David Stegmann
Ivan Ilić (piano)
These are serious, stylish readings that are faithful to Haydn and yet also responsive to Stegmann’s efforts to create a pianistic counterpart to Haydn’s orchestral experience. For example,...
Special offer. Ivan Ilić plays Haydn: Symphonies
transcribed for piano by Carl David Stegmann
Ivan Ilić (piano)
Purchase product
These are serious, stylish readings that are faithful to Haydn and yet also responsive to Stegmann’s efforts to create a pianistic counterpart to Haydn’s orchestral experience. For example,...
About
Ivan Ilić came across these transcriptions, scarcely known at all, through the most unlikely and serendipitous sequence of events. Carl David Stegmann (1751 1826) was a tenor, keyboard player, conductor, and composer, who worked mostly in the field of opera. Employed by the Court Theatre in Mainz (where he sang in the first German-language production of Don Giovanni), he also gave a number of acclaimed performances in Frankfurt. Trained as an organist, he made transcriptions of string quintets by Mozart and Beethovens Trios, Op. 9 as well as keyboard transcriptions of twenty-five of Haydns symphonies. Ivan Ilić writes: It is unclear to me whether these transcriptions were ever meant to be played as concert repertoire, in public. Nevertheless, the enthusiasm I have encountered wherever I have played them has persuaded me to make this recording, to allow more people to hear Stegmann's idiomatic arrangements.
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Awards and reviews
January/February 2020
These are serious, stylish readings that are faithful to Haydn and yet also responsive to Stegmann’s efforts to create a pianistic counterpart to Haydn’s orchestral experience. For example, in the latter part of the Andante con variazioni of Symphony No. 75, Ilić embraces the filigree writing with tenderness and clarity.
September 2019
Ilić certainly plays these symphonies with conviction... A fascinating disc with terrific sound.
August 2019
Idiomatic transcriptions that are great fun in their own right.
1st September 2019
These cleanly articulated, beautifully coloured performances charm and excite, just as good orchestral performances might — not least in the vigorous Sturm und Drang drama of No 44
September 2019
Haydn’s bare, spare opening gesture isn’t lacking in colour; Ilić’s alert, intelligent playing more than compensates...It’s superbly performed and warmly recorded too…