La Gracieuse
Pièces de Viole by Marin Marais
Robert Smith (viola da gamba), Israel Golani (viola da gamba), Joshua Cheatham (viola da gamba), Olivier Fortin (harpsichord)
Awards:
-
Gramophone Magazine, Awards Issue 2019, Editor's Choice
Smith is sympathetic, generous, introspective, romantic, adventurous in timbre…and his palette of sounds is enviably characterful…The overall listening experience is well crafted and charts...
La Gracieuse
Pièces de Viole by Marin Marais
Robert Smith (viola da gamba), Israel Golani (viola da gamba), Joshua Cheatham (viola da gamba), Olivier Fortin (harpsichord)
Purchase product
Awards:
-
Gramophone Magazine, Awards Issue 2019, Editor's Choice
Smith is sympathetic, generous, introspective, romantic, adventurous in timbre…and his palette of sounds is enviably characterful…The overall listening experience is well crafted and charts...
About
Critically acclaimed Amsterdam-based viola da gamba player, Robert Smith returns to Resonus to present a stunning programme of suites by the French Baroque composer Marin Marais, a prolific writer for the instrument. Selected from across Marais five volumes of Pièces de Viole, the album presents some of Marais most striking and characterful works, which are brought sensationally to life by Smith and his outstanding ensemble. Brought together specially for this recording, the group features harpsichordist Olivier Fortin, viola da gamba player Joshua Cheatham, and theorbo player and Baroque guitarist Israel Golani.
Contents and tracklist
- Joshua Cheatham, Robert Smith, Olivier Fortin, Israel Golani
- Joshua Cheatham, Robert Smith, Israel Golani, Olivier Fortin
- Joshua Cheatham, Robert Smith, Olivier Fortin, Israel Golani
- Joshua Cheatham, Robert Smith, Olivier Fortin, Israel Golani
Awards and reviews
-
Gramophone MagazineAwards Issue 2019Editor's Choice
Awards Issue 2019
Smith is sympathetic, generous, introspective, romantic, adventurous in timbre…and his palette of sounds is enviably characterful…The overall listening experience is well crafted and charts an interesting journey…Smith does well to curate suites according to key that feel coherent and balanced.
October 2019
Smith is completely at home in the music’s intricate idiom; with him, embellishments – including vibrato – are always convincingly integrated into the melodic line, agogics never calling attention to themselves.