Special offer. Poulenc: Concertos
Christian Ihle Hadland (piano), Håvard Gimse (piano), Norwegian Radio Orchestra, Peter Szilvay, Kåre Nordstoga, Thomas Søndergård
Awards:
-
International Classical Music Awards, 2019, Nominee - Concerto
There is much here to admire. Phrasing is unobtrusively persuasive and technically all the artists are well in command of their instruments. In general speeds are close to what Poulenc asks...
Special offer. Poulenc: Concertos
Christian Ihle Hadland (piano), Håvard Gimse (piano), Norwegian Radio Orchestra, Peter Szilvay, Kåre Nordstoga, Thomas Søndergård
Purchase product
Awards:
-
International Classical Music Awards, 2019, Nominee - Concerto
There is much here to admire. Phrasing is unobtrusively persuasive and technically all the artists are well in command of their instruments. In general speeds are close to what Poulenc asks...
About
The Norwegian Radio Orchestra is known and cherished throughout the land and regarded by music-loving Norwegians with a unique combination of respect and affection. Owing to its remarkably diverse repertoire, it is doubtless the orchestra heard most often – on radio, television, and the internet, and at its many and diverse venues around the country. It is a flexible orchestra, playing everything from symphonic and contemporary classical music to pop, rock, folk and jazz. Every year the orchestra performs together with internationally acclaimed artists at the Nobel Peace Prize Concert, which is aired to millions of viewers worldwide. Among those with whom it has collaborated in recent years are Kaizers Orchestra, Mari Boine, Jarle Bernhoft, Diamanda Galàs, René Fleming, Andrew Manze, Anna Netrebko, and Gregory Porter. On this recording, they perform a comprehensive selection of Overtures by Francis Poulenc. Highly recommended.
Contents and tracklist
- Kåre Nordstoga
- Norwegian Radio Orchestra
- Peter Szilvay
Awards and reviews
-
International Classical Music Awards2019Nominee - Concerto
October 2019
There is much here to admire. Phrasing is unobtrusively persuasive and technically all the artists are well in command of their instruments. In general speeds are close to what Poulenc asks for.