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Special offer. Perotti: Franca Do Vitalta

Oratorio for Soloist, Choir, & Instruments

Carlotta Colombo (Franca), Anna Piroli (Carenzia), Cristina Calzolari (Binia), Renato Cadel (Campi)

Coro Vox Silvae, Federico Perotti

Rarely has music of such spiritual intensity sounded so earthy and quotidian in its urgencies. Choir and soloists, particularly Carlotta Colombo, handle difficult parts with the naturalness...

Special offer. Perotti: Franca Do Vitalta

Oratorio for Soloist, Choir, & Instruments

Carlotta Colombo (Franca), Anna Piroli (Carenzia), Cristina Calzolari (Binia), Renato Cadel (Campi)

Coro Vox Silvae, Federico Perotti

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Rarely has music of such spiritual intensity sounded so earthy and quotidian in its urgencies. Choir and soloists, particularly Carlotta Colombo, handle difficult parts with the naturalness...

About

This oratorio by the very young composer Federico Perotti tells the story of Franca da Vitalta, a woman from a noble family that, at the age of seven - in 1182 - entered by her own wish into the Benedictine monastery of S. Siro in Piacenza. At age twenty-three, upon the death of the abbess, she was unanimously elected as new superior mother, and, because of her strict observance of the Benedictine Rule, she was then faced with various conflicts amongst sisters also coming from noble families. According to the tradition, in 1273 she was canonised by Pope Gregorio X. Her cult is now still strong and alive in the city and province of Piacenza. Remembered by the Catholic Church on the 26th of April and her remains are now preserved in Piacenza, in the church dedicated to St. Raimondo. Federico Perotti creates a libretto on three temporal levels: the first is set in the years of the saint’s life, the second consisting of the biography that the historian Pier Maria Campi wrote in the early seventeenth century, and the third, external to the actions, is limited to observing and describing the passage of time.

Contents and tracklist

Franca da Vitalta: Introduzione
Track length2:22
Franca da Vitalta, Pt. 1 "La tempesta": No. 1, Conditor alme siderum
Track length2:54
Franca da Vitalta, Pt. 1 "La tempesta": No. 2, Dov’è il vino che manca?
Track length5:08
Franca da Vitalta, Pt. 1 "La tempesta": No. 3, Franca è troppo rigida e inadatta
Track length1:54
Franca da Vitalta, Pt. 1 "La tempesta": No. 4, In circostanze dure e contrarianti
Track length3:21
Franca da Vitalta, Pt. 1 "La tempesta": No. 5, Lei buona, lei cara
Track length2:46
Franca da Vitalta, Pt. 1 "La tempesta": No. 6, Binia, non mentire!
Track length5:02
Franca da Vitalta, Pt. 2 "L'incontro": No. 7, Christe redemptor omnium
Track length6:24
Franca da Vitalta, Pt. 2 "L'incontro": No. 8, Mi chiamo Carenzia
Track length5:11
Franca da Vitalta, Pt. 2 "L'incontro": No. 9, Mandata dalla provvidenza
Track length6:39
Franca da Vitalta, Pt. 2 "L'incontro": No. 10, Prendi la strada per il mare
Track length4:45
Franca da Vitalta, Pt. 3 "Montelana": No. 11, Audi benigne conditor
Track length2:20
Franca da Vitalta, Pt. 3 "Montelana": No. 12, Il signore volendo trattenere un’altra anima
Track length3:20
Franca da Vitalta, Pt. 3 "Montelana": No. 13, Benedic anima mea Domino
Track length4:35
Franca da Vitalta, Pt. 4 "Il trapasso": No. 14, Iesu nostra redemptio
Track length3:20
Franca da Vitalta, Pt. 4 "Il trapasso": No. 15, Perché rifiuti il medico?
Track length4:34
Franca da Vitalta, Pt. 4 "Il trapasso": No. 16, Così lui volle per me
Track length4:19
Franca da Vitalta, Pt. 4 "Il trapasso": No. 17, Ci porgeva ricordi salutari
Track length2:57
Franca da Vitalta, Pt. 4 "Il trapasso": No. 18, Davanti all’altare
Track length3:20
Franca da Vitalta, Pt. 4 "Il trapasso": No. 19, Sorelle vivete nell’onestà
Track length3:54

Awards and reviews

October 2019

Rarely has music of such spiritual intensity sounded so earthy and quotidian in its urgencies. Choir and soloists, particularly Carlotta Colombo, handle difficult parts with the naturalness of speech. An intensive, immersive experience rather than a concert piece and as such, ideally suited to CD and home listening.

September 2019

Performed with real commitment
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