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Special offer. Francesco Cavalli: L'ipermestra

La Sfera Armoniosa & Mike Fentross

Francesco Cavalli: L'ipermestra
The cast leaves nothing to be desired; and unlike almost every live-performance CD I’ve ever heard, there is no clomping around, no coughing, nothing to take one’s attention away from the thing...

Special offer. Francesco Cavalli: L'ipermestra

La Sfera Armoniosa & Mike Fentross

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3 CDs

Original price $26.25 Reduced price $21.52

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No digital booklet included

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The cast leaves nothing to be desired; and unlike almost every live-performance CD I’ve ever heard, there is no clomping around, no coughing, nothing to take one’s attention away from the thing...

About

<p>The world premiere recording of Cavalli's opera L'Ipermestra, dated 1654-1658, from La Sfera Armoniosa and conductor Mike Fentross with a wonderful cast of soloists including Elena Monti. Emanuela Galli and Marcel Beekman. The recording was made following a live stage performance in Utrecht, 2006. This opera is a real discovery from a musical point of view and its value is enhanced by a superb performance by the soloists and orchestra. <p>Working in 17th-century Venice soon after the world's first public opera houses opened there, composer Francesco Cavalli had no tradition to follow. He gave his fertile imagination free rein, tinkering with the brand-new art form to create the lively Venetian style of opera, with its melodious arias, sprightly dance rhythms, free-wheeling mythological or historical plots and generous dollops of comedy. Like most of Cavalli's operas, L'Ipermestra wasn't performed between the late 17th century and recent years. <p>In 1658, on the occasion of the recent birth of King Philip IV of Spain's first son (prince Felipe Prospero), the Grand Duchy of Tuscany celebrated the royal event with one of the most magnificent operas ever staged in Florence: l'Ipermestra by Giovanni Andrea Moniglia and Francesco Cavalli. <p>This opera originated from an unusual mix of court culture and the fashionable "opera alla veneziana", one of the most in vogue entertainments in Europe at the time. However, the main patron of this sign of alliance with the Spanish crown was not the grand duke Ferdinand II de' Medici, but his notorious brother, cardinal Giovan Carlo de' Medici: relentless operagoer and patron of singers, musicians, and academies. L'Ipermestra was one of his most important projects, and its origin, hidden for centuries, has only recently come to light. <p>An account of the opera was printed in 1658, yet although the publicity for the 1658 premiere was so convincing that everyone believed the opera had been written just for that occasion, we have proof of the existence of L'Ipermestra as early as 1654 four years prior to the Spanish prince's birth. <p>Artists Elena Monti - Soprano Emanuela Galli - Mezzo Soprano Gaelle Le Roi - Soprano Marcel Beekman - Tenor Sergio Foresti - Bass Mark Tucker - Tenor La Sfera Armoniosa Mike Fentross <p>Interview with Mike Fentross https://www.youtube.com/watch?v=TgYrdqRTr9E https://www.facebook.com/ChallengeRecordsInt/videos/2388745667882540/ <p>CRITICAL ACCLAIM <p>Sunday Times Album of the Week "Elena Monti and Emanuela Galli are superb in their delivery" "Both the music and drama blossom in the mind's eye" -Hugh Canning

Contents and tracklist

Atto Primo: Sinfonia from Opera “Doriclea”
Track length1:23
Atto Primo, Scena 1: Linceo, Ipermestra "Cortile regio"
Track length8:13
Atto Primo, Scena 2: Arbante
Track length1:11
Atto Primo, Scena 3: Arbante, Elisa
Track length3:58
Atto Primo, Scena 4: Elisa
Track length1:17
Atto Primo, Scena 5: Elisa, Berenice
Track length2:53
Atto Primo, Scena 6: Berenice
Track length0:31
Atto Primo, Scena 7: Danao, Ipermestra
Track length8:24
Atto Primo, Scena 8: Ipermestra
Track length5:18
Atto Primo, Scena 9: Linceo
Track length2:58
Atto Primo, Scena 11: Linceo, Ipermestra
Track length9:39
Atto Primo, Scena 12: Ipermestra
Track length3:24
Atto Primo, Scena 13: Ipermestra, Berenice
Track length0:52
Atto Primo, Scena 14: Ipermestra, Danao, Berenice "Sotto una portiera"
Track length7:15
Atto Primo, Scena 15: Berenice
Track length3:54
Atto Secondo, Scena 1: Ipermestra, Elisa "Prigione"
Track length9:12
Atto Secondo, Scena 2: Ipermestra, Berenice
Track length4:30
Atto Secondo, Scena 3: Ipermestra
Track length1:29
Atto Secondo, Scena 4: Ipermestra, Arbante "ch’osserva"
Track length4:53
Atto Secondo, Scena 5: Arbante, Elisa
Track length1:23
Atto Secondo, Scena 6: Arbante, Elisa, Danao
Track length1:50
Atto Secondo, Scena 7: Danao, Arbante
Track length2:31
Atto Secondo, Scena 8: Danao
Track length2:28
Atto Secondo, Scena 9: Danao, Ipermestra
Track length2:20
Atto Secondo, Scena 10: Ipermestra
Track length2:36
Atto Secondo, Scena 11: Ipermestra, Elisa, Berenice
Track length5:11
Atto Secondo, Scena 12: Ipermestra
Track length1:38
Atto Secondo, Scena 21: Linceo
Track length2:40
Atto Secondo, Scena 22: Linceo, Arbante
Track length4:51
Atto Secondo, Scena 23: Linceo
Track length2:12
Atto Secondo, Scena 24: Linceo, Elisa
Track length0:41
Atto Secondo, Scena 25: Linceo, Elisa, Berenice
Track length1:10
Atto Secondo, Scena 26: Danao
Track length1:36
Atto Secondo: “Battalla de Barabaso yerno de Satana” by Andrea Falconieri
Track length3:58
Atto Terza, Scena 1: Instrumental
Track length1:40
Atto Terza, Scena 2: Ipermestra "Campagna della Torre"
Track length0:18
Atto Terza, Scena 3: Ipermestra
Track length1:09
Atto Terza, Scena 4: Ipermestra, Elisa
Track length4:11
Atto Terza, Scena 5: Arbante
Track length3:12
Atto Terza, Scena 7: Linceo
Track length3:40
Atto Terza, Scena 8: Linceo, Elisa, Berenice
Track length7:19
Atto Terza, Scena 9: Elisa, Berenice
Track length0:45
Atto Terza, Scena 10: Berenice
Track length2:45
Atto Terza, Scena 11: Ipermestra Sopra la Torre
Track length6:03
Atto Terza, Scena 12: Ipermestra e Berenice sopra la Torre; Linceo in strada
Track length1:00
Atto Terza, Scena 13: Berenice, Elisa
Track length2:21
Atto Terza, Scena 15 :Linceo, Ipermestra
Track length0:46
Atto Terza, Scena 16: Linceo, Ipermestra, Arbante
Track length3:14
Atto Terza, Scena 17: Linceo, Ipermestra, Arbante, Elisa, Berenice
Track length8:58

Spotlight on this release

Awards and reviews

January/February 2020

The cast leaves nothing to be desired; and unlike almost every live-performance CD I’ve ever heard, there is no clomping around, no coughing, nothing to take one’s attention away from the thing of beauty that is taking place before the audience.

September 2019

Fentross’s performance is superb, though some, I suspect, might find it eccentric. The realisation is his own…[His] conducting is swift and urgent, allowing the big confrontations to register with great immediacy. Some of the voices are perhaps bigger than we usually find in Baroque music…It’s a fine achievement.

4th August 2019

This recording from the 2006 Holland Festival makes a strong case, thanks to Fentross’s editing (he cuts four of the minor characters) and vivid direction of singers versed in the Italian baroque style of recitar cantando (sung recitation)...Both the music and drama blossom in the mind’s eye.
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