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The Yiddish Cabaret

Hila Baggio (soprano)

Jerusalem Quartet

The Yiddish Cabaret

Awards:

Whatever one makes of the title, ‘The Yiddish Cabaret’ is an enjoyable if rather lopsided concept, with the main work opening the programme…Those investing will find standards of both playing...

The Yiddish Cabaret

Hila Baggio (soprano)

Jerusalem Quartet

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Whatever one makes of the title, ‘The Yiddish Cabaret’ is an enjoyable if rather lopsided concept, with the main work opening the programme…Those investing will find standards of both playing...

About

By juxtaposing Leonid Desyatnikov’s contemporary song settings of Yiddish texts (offering a glimpse into Jewish life in Warsaw during the Weimar Republic) with a pair of chamber works by Schulhoff and Korngold, which also date from this troubled period between the wars, the present recording highlights the fascinating crosspollination then taking place in the music of Eastern and Western Europe.

With soprano Hila Baggio as their featured soloist, members of the Jerusalem Quartet bid us “come to the cabaret” to savour a whole range of stylistic approaches and emotional experiences of the rarest kind.

Contents and tracklist

I. Allegro
Track length6:27
II. Intermezzo. Allegretto con moto
Track length4:01
III. Larghetto. Lento
Track length7:43
IV. Waltz (Finale). Tempo di Valse
Track length6:04
I. Alla Valse viennese (allegro)
Track length1:58
II. Alla Serenata (allegretto con moto)
Track length3:37
III. Alla Czeca (molto allegro)
Track length1:42
IV. Alla Tango milonga (andante)
Track length4:29
V. Alla Tarantella (prestissimo con fuoco)
Track length2:49
1. Varshe
Track length3:48
2. In a hoyz vu men veynt un men lakht
Track length5:45
3. Ikh ganve in der nakht
Track length2:31
4. Yosl un Sore-Dvoshe
Track length4:14
5. Ikh vel shoyn mer nit ganvenen
Track length4:36

Awards and reviews

July 2019

Whatever one makes of the title, ‘The Yiddish Cabaret’ is an enjoyable if rather lopsided concept, with the main work opening the programme…Those investing will find standards of both playing and recording on a par with the ensemble’s previous releases from this source, and hence wholly recommendable.
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