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Brahms: Violin Concerto & Double Concerto

Tianwa Yang (violin), Gabriel Schwabe (cello)

Deutsches Symphonie-Orchester Berlin, Antoni Wit

Brahms: Violin Concerto & Double Concerto

Awards:

She has technique to spare, produces a gloriously open sonority on her 1730 Guarneri del Gesù, and possesses a vibrant musical personality ideal for the recording studio. The clarity of her...

Brahms: Violin Concerto & Double Concerto

Tianwa Yang (violin), Gabriel Schwabe (cello)

Deutsches Symphonie-Orchester Berlin, Antoni Wit

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Awards:

She has technique to spare, produces a gloriously open sonority on her 1730 Guarneri del Gesù, and possesses a vibrant musical personality ideal for the recording studio. The clarity of her...

About

Brahms’ string concertos are indissolubly linked with the musicians for whom the works were written. He wrote the Violin Concerto for Joseph Joachim and in it he combined what a contemporary critic termed ‘the great and serious’ with songful lyricism, melodic beauty, and a fiery Hungarian finale. To mend a breach with the violinist, Brahms later composed a concerto with the unusual combination of violin and cello, the latter played at the premiere by Joachim’s colleague Robert Hausmann. Neither instrument dominates in a work of reconciliation that perfectly embodies both drama and reflection. Schwabe’s debut Naxos recording features Brahms’ cello sonatas and song transcriptions released in 2015, with pianist Nicholas Rimmer (8573489). Tianwa Yang’s most recent recording project involved the works for violin and orchestra by Wolfgang Rihm.

Contents and tracklist

I. Allegro non troppo
Track length22:31
This track is only available as an album download.
II. Adagio
Track length9:01
III. Allegro giocoso, ma non troppo vivace
Track length7:45
I. Allegro
Track length16:58
II. Andante
Track length7:24
III. Vivace non troppo
Track length8:40

Spotlight on this release

Awards and reviews

  • International Classical Music Awards
    2019
    Nominee - Concerto

August 2019

She has technique to spare, produces a gloriously open sonority on her 1730 Guarneri del Gesù, and possesses a vibrant musical personality ideal for the recording studio. The clarity of her glistening tone and technical dexterity are matched by an uncluttered interpretative instinct that proves especially handy in these old warhorses.

August 2019

Yang’s sound is lithe and warm, abetted by mellow dolce sweetness in the instrument’s upper register, where she can refine it down to a whisper. Yang’s Brahms is rhapsodic, although I miss the bravura fire of her best Sarasate recordings…[in the Double] Schwabe and Yang enjoy an amiable dialogue.

June 2019

There is much to enjoy in these Brahms concerto performances.
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