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Stay, ye angels

JS Bach: Cantatas

Lenneke Ruiten (soprano), Anke Vondung (mezzo), Benedikt Kristjánsson (tenor), Peter Harvey (baritone), David Franke (organ)

Gaechinger Cantorey, Hans-Christoph Rademann

Stay, ye angels
Make no mistake, there’s much to savour. The choir is incisive and alert; the instrumental playing, deft. But things don’t gel consistently, and it’s a pity texts and translations are omitted.

Stay, ye angels

JS Bach: Cantatas

Lenneke Ruiten (soprano), Anke Vondung (mezzo), Benedikt Kristjánsson (tenor), Peter Harvey (baritone), David Franke (organ)

Gaechinger Cantorey, Hans-Christoph Rademann

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Make no mistake, there’s much to savour. The choir is incisive and alert; the instrumental playing, deft. But things don’t gel consistently, and it’s a pity texts and translations are omitted.

About

Two cantatas written by Johann Sebastian Bach for Michaelmas in 1726 and 1728/29 respectively build the framework of this recording. They tell of the Archangel Michael‘s victory over Satan. At the center of the cantata 'Es erhub sich ein Streit' is the tenor aria 'Bleibt, ihr Engel' (Stay, ye angels), which gives this recording its name.

Embedded in these two magnificent, dramatic works with timpani and trumpets are two more intimate cantatas that sing the song of peace. In the introductory Sinfonia and the two alto arias of 'Gott soll allein mein Herze haben', the organ is highlighted as a virtuoso solo instrument - perfect for the Hildebrandt organ in the Naumburg Wenceslas Church, which lends a special color to this recording. The final chorale contains a message that can also be found in the subsequent solo cantata 'Friede sei mit Dir and can be regarded as a statement of the entire program: 'So that we love one another from our hearts and remain with one mind in peace'.

Recorded at the Stadtkirche Sankt Wenzel, Naumburg, in September 2018, in co-production with Deutschlandfunk Kultur.

Contents and tracklist

I. Es erhub sich ein Streit
Track length4:11
II. Gottlob! Der Drache liegt
Track length1:02
III. Gott schickt uns Mahanaim zu
Track length4:12
IV. Was ist der schnöde Mensch, das Erdenkind?
Track length0:55
V. Bleibt, ihr Engel, bleibt bei mir!
Track length7:12
VI. Laßt uns das Angesicht
Track length0:38
VII. Laß dein‘ Engel mit mir fahren
Track length1:47
I. Sinfonia
Track length7:50
II. Gott soll allein mein Herze haben
Track length2:08
III. Gott soll allein mein Herze haben
Track length6:05
IV. Was ist die Liebe Gottes?
Track length0:40
V. Stirb in mir, Welt, und alle deine Liebe
Track length4:58
VI. Doch meint es auch dabei
Track length0:25
VII. Du süße Liebe, schenk uns deine Gunst
Track length0:58
I. Der Friede sei mit dir
Track length1:48
II. Welt, ade, ich bin dein müde
Track length6:50
III. Nun, Herr, regiere meinen Sinn
Track length1:30
IV. Hier ist das rechte Osterlamm
Track length1:03
I. Man singet mit Freuden vom Sieg
Track length4:04
II. Kraft und Stärke sei gesungen
Track length2:47
III. Ich Fürchte mich vor Tausend feinden nicht
Track length0:49
IV. Gottes Engel weichen nie, sie sind bei mir aller Enden
Track length5:09
V. Ich danke dir, mein lieber Gott
Track length0:37
VI. Seid wachsam, ihr heiligen Wächter
Track length3:40
VII. Ach Herr, lass dein lieb Engelein
Track length1:51

Awards and reviews

August 2019

Make no mistake, there’s much to savour. The choir is incisive and alert; the instrumental playing, deft. But things don’t gel consistently, and it’s a pity texts and translations are omitted.

September 2019

The orchestra and choir of Gaechinger Cantoery are conducted expertly by Hans-Christoph Rademann; ebullient trumpet-laden choruses fizz with a compound of sonorous muscle, rhythmic flair and contrapuntal transparency, nowhere more so than the convivial opening chorus of No. 149 (parodied from the Hunt Cantata).

June 2019

It would be hard to fault Peter Harvey’s singing on Accentus.
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