The interpretation [of the Strauss] is challenging, studied rather than effortlessly flowing. I respect it, and the inner orchestral details are magical, but would Strauss want so many changes of tempo?

Mayer’s performance (of the Strauss) is exceptionally wistful. It’s not just that he lingers in the outer movements, he clings to the phrases…Such tenderness is touching, certainly, but I find the music loses its ecstatic quality when played so adoringly…The Bamberg Symphony offer supple, affectionate support under Jakub Hrůša…They play the Strauss as if it’s chamber music. It’s a pity one can’t hear more of them in the Ravel.