The tr!jo sonatas present a fresh and unique perspective on music from the 18th century; they are inspired by the French baroque “mis en concert” technique, pieces originally scored for solo harpsichord are orchestrated for a larger chamber music setting.

These young musicians perform the repertoire on recorder, viola da gamba and harpsichord.

According to Carl Philipp Emanuel Bach this approach can also be applied to some of his father’s compositions: “Bach’s clavier fugues can be set out for as many instruments as they have voices; no voice fails to receive its proper share, and every one is carried through properly.”