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Special offer. Beethoven/Hillborg

Calder Quartet

Beethoven/Hillborg
While the Calders’ Beethoven is historically informed only in the loosest possible sense – tempos are fresh, rhythms are buoyant and vibrato is deployed as expression demands – their performances...

Special offer. Beethoven/Hillborg

Calder Quartet

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
While the Calders’ Beethoven is historically informed only in the loosest possible sense – tempos are fresh, rhythms are buoyant and vibrato is deployed as expression demands – their performances...

About

The Calder Quartet invites you on a journey from early to late Beethoven, passing through an exciting contemporary piece by Swedish composer Anders Hillborg along the way. Beethoven's Op.131 String Quartet, that concludes this album, is already a great adventure in its own right, with its seven movement full of fugal writing, harmonic explorations, variations and passages filled with operatic drama. Hearing this late masterpiece together with the much more classical, but equally lively, Op.18 no.3 Quartet opens our ears to the exceptional richness of Beethoven's musical universe. Hillborg's Kongsgaard Variations reveals unexpected sonic relationships to Beethoven's variation technique, underlining the modernity of the older composer. This all leads to a programme that is lively, layered and ravishingly beautiful.

Hailed as one of the most exciting classical music groups of the United States, the Calder Quartet now present the first fruit of its exclusive collaboration with PENTATONE.

Contents and tracklist

I. Allegro
Track length8:16
II. Andante con moto
Track length8:08
III. Allegro
Track length2:57
IV. Presto
Track length7:02
I. Adagio
Track length6:14
II. Allegro molto vivace
Track length3:14
III. Allegro moderato
Track length0:47
IV. Andante
Track length13:20
V. Presto
Track length5:49
VI. Adagio
Track length2:03
VII. Allegro
Track length7:04

Spotlight on this release

Awards and reviews

July 2019

While the Calders’ Beethoven is historically informed only in the loosest possible sense – tempos are fresh, rhythms are buoyant and vibrato is deployed as expression demands – their performances have something of the spirit of the composer’s own era…As for the Hillborg – well, the idea is perhaps more exciting than the actual music, but with playing of such easy virtuosity, it blossoms very beguilingly.
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