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MacMillan: One Equal Music

The Elysian Singers, Sam Laughton

MacMillan: One Equal Music
Whether writing for amateurs or the most virtuosic set of vocal gymnasts, he has the knack of powerfully conveying his musical vision. The Elysian Singers under Sam Laughton comfortably take...

MacMillan: One Equal Music

The Elysian Singers, Sam Laughton

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Whether writing for amateurs or the most virtuosic set of vocal gymnasts, he has the knack of powerfully conveying his musical vision. The Elysian Singers under Sam Laughton comfortably take...

About

The Elysian Singers of London celebrate the enormous and varied contribution of Sir James MacMillan (b. 1959) to the choral repertoire over the last 20 years. Beginning with MacMillan’s blazing 2016 ‘choral fanfare’ Blow the trumpet in the new moon, the programme explores the spiritual and secular texts that have influenced MacMillan, also including his monumental setting of Psalm 51 Miserere.

The Elysian Singers of London is one of the UK’s leading chamber choirs. Known for its adventurous programming, the choir performs in and around London and has recorded many widely acclaimed CDs. This is the choir’s second recording of works by James MacMillan, following their critically-acclaimed first disc with Signum Cantos Sagrados.

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Awards and reviews

August 2019

Whether writing for amateurs or the most virtuosic set of vocal gymnasts, he has the knack of powerfully conveying his musical vision. The Elysian Singers under Sam Laughton comfortably take everything here in their stride in a well-conceived collection that groups the pieces into four groups: Psalms, Poems, Folk Tradition, and Prayers.

July 2019

The [Elysian] Singers’ rounded, bright tone under director Sam Laughton is nicely captured by Signum in this release, which explores MacMillan’s wide and varied contribution to the choral medium. From the blazing ‘choral fanfare’ Blow the trumpet in the new moon to a major setting of Psalm 51, this CD, while obviously a timely celebration of one of the UK’s leading composers, is also a fine introduction to MacMillan’s œuvre.

August 2019

MacMillan’s strength lies in his ability to fuse sacred polyphonic, secular popular, folk and modernist elements into a musical language that remains distinct and immediately identifiable…This is an impressive recording overall. A case, perhaps, of ‘first among equals’.
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