Ortiz: Choral Works
Taka Kigawa (celesta), Sarah Brailey (soprano), Amy Goldin (soprano), Molly Quinn (soprano), Meridionalis, Sebastián Zubieta
The originality of Maizal del gregoriano (‘Gregorian Cornfield’) in which the choir is accompanied by celesta isn’t simply a novelty: it’s a genuinely remarkable and effective piece of chant,...
Ortiz: Choral Works
Taka Kigawa (celesta), Sarah Brailey (soprano), Amy Goldin (soprano), Molly Quinn (soprano), Meridionalis, Sebastián Zubieta
Purchase product
The originality of Maizal del gregoriano (‘Gregorian Cornfield’) in which the choir is accompanied by celesta isn’t simply a novelty: it’s a genuinely remarkable and effective piece of chant,...
About
A native of Argentina, Pablo Ortiz is a name which will be less than familiar with most music fans, and the eclectic nature of the present collection, with its echoes of Gregorian Chant, 16th century polyphony and tango is sure to provide a valuable introduction to Pablo Ortiz’s work. Ortiz is a professor of composition at the University of California, Davis, and his prizes and commissions include those from the Fromm Music Foundation in 1992, a Guggenheim Fellowship in 1993, and the Charles Ives Fellowship from the American Academy of Arts and Letters in 1996. One of his Motets was recorded as part of The Lost City: Lamentations Through the Ages (Naxos 8573078), described as ‘an album any sacred choral fan will cherish’ by the American Record Guide.
Contents and tracklist
- Taka Kigawa (celesta)
- Meridionalis
- Sebastián Zubieta
- Recorded: 13-14 October 2016
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Meridionalis
- Sebastián Zubieta
- Sarah Brailey (soprano), Amy Goldin (soprano), Molly Quinn (soprano)
- Sebastián Zubieta
- Recorded: 25 October 2017
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Meridionalis
- Sebastián Zubieta
- Meridionalis
- Sebastián Zubieta
- Meridionalis
- Sebastián Zubieta
- Meridionalis
- Sebastián Zubieta
Awards and reviews
July 2019
The originality of Maizal del gregoriano (‘Gregorian Cornfield’) in which the choir is accompanied by celesta isn’t simply a novelty: it’s a genuinely remarkable and effective piece of chant, ancient and modern at the same time. Likewise the mournfully singable Leaving Limerick. Anyone unfamiliar with Ortiz’s work will be drawn by its intensely rhythmic quality. Gesualdo is said to be an influence, but so well combined with native strains as to be almost incidental now. Beautifully sung throughout and a pristine recording.