Walter Braunfels’ music died twice: first, when the Nazis declared his music ‘degenerate art’; and again when post-war Germany largely rejected tonal music, with arbiters of taste declaring any form of romantic music (almost the whole pre-war aesthetic) to be tainted. This seventh volume in Capriccio’s Braunfels Edition again demonstrates the considerable range of Braunfels’ colourful music. The focus here is on his great, early orchestral work Fantastical Apparitions of a Theme by Hector Berlioz, Op. 25 (1914–1917). The first complete recording of this amazing composition is coupled with his last orchestral work, the Sinfonia brevis, Op. 69 (1948).