Special offer. Bassoon Concertos
Jaakko Luoma (bassoon)
Tapiola Sinfonietta, Janne Nisonen
Even a player of Jaakko Luoma’s masterful expertise can’t disguise that the bassoon’s range of tone and volume is limited within each of its variety of registers But it also has a capacity for...
Special offer. Bassoon Concertos
Jaakko Luoma (bassoon)
Tapiola Sinfonietta, Janne Nisonen
Purchase product
Even a player of Jaakko Luoma’s masterful expertise can’t disguise that the bassoon’s range of tone and volume is limited within each of its variety of registers But it also has a capacity for...
About
As an instrument, the bassoon has had a remarkable history. Beginning with its Renaissance ancestry as the dulcian, it developed during the Baroque period into an almost indispensable part of the ensemble. Antonio Vivaldi recognized the versatility of the bassoon early on, composing no fewer than 39 concertos for it. But it was in the second half of the century that the bassoon achieved an equal prominence with the other woodwinds. The four delightful works on this disc, performed by Jaakko Luoma and the Tapiola Sinfonietta, represent different facets of the Classical period solo repertoire, each of which makes considerable demands on the instrument.
Contents and tracklist
- Jaakko Luoma (bassoon)
- Tapiola Sinfonietta
- Recorded: 14-18 August 2017
- Recording Venue: Tapiola Concert Hall, Finland
- Jaakko Luoma (bassoon)
- Tapiola Sinfonietta
- Recorded: 14-18 August 2017
- Recording Venue: Tapiola Concert Hall, Finland
- Jaakko Luoma (bassoon)
- Tapiola Sinfonietta
- Recorded: 14-18 August 2017
- Recording Venue: Tapiola Concert Hall, Finland
Awards and reviews
May 2019
Even a player of Jaakko Luoma’s masterful expertise can’t disguise that the bassoon’s range of tone and volume is limited within each of its variety of registers But it also has a capacity for colourful expressive line which gives it genuine options as a solo instrument, plus remarkable agility when required. Luoma’s playing excels in both departments.
April 2019
Soloist and orchestra again interact creatively, drawing attention to many details without dwelling on them; and their phrasing is characterful.