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Special offer. Berlioz: L'enfance du Christ

Melbourne Symphony Orchestra & Chorus, Sir Andrew Davis

Berlioz: L'enfance du Christ
All the soloists are excellent, and thoughtful casting among the four baritones and bass-baritones has allotted the Israelite father to Matthew Brook, who brings just that touch of extra warmth...

Special offer. Berlioz: L'enfance du Christ

Melbourne Symphony Orchestra & Chorus, Sir Andrew Davis

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2 SACDs

Hybrid Multi-channel

Original price $20.25 Reduced price $16.20

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96 kHz, 24 bit, FLAC/ALAC/WAV

$12.75

44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
All the soloists are excellent, and thoughtful casting among the four baritones and bass-baritones has allotted the Israelite father to Matthew Brook, who brings just that touch of extra warmth...

About

Berlioz wrote his own text for L’Enfance du Christ, which he composed in 1853 and 1854. It was first performed at the Salle Herz, Paris on 10 December 1854, with Berlioz conducting. Berlioz was not religious as an adult but remained all his life susceptible to the beauty of the religious music that had enraptured him as a child, he described this work as a Trilogie sacrée. Sir Andrew Davis conducts the Melbourne Symphony Orchestra and MSO Chorus and an outstanding team of soloists in this Surround Sound SACD recording.

Contents and tracklist

Pt. 1 "Le songe d’Hérode": Dans la crèche, en ce temps
Track length1:46
Pt. 1 "Le songe d’Hérode": Marche nocturne
Track length3:59
Pt. 1 "Le songe d’Hérode": Qui vient?
Track length3:53
Pt. 1 "Le songe d’Hérode": Toujours ce rêve!
Track length7:03
Pt. 1 "Le songe d’Hérode": Seigneur!
Track length0:39
Pt. 1 "Le songe d’Hérode": Les sages de Judée
Track length3:06
Pt. 1 "Le songe d’Hérode": La voix dit vrai, seigneur
Track length2:49
Pt. 1 "Le songe d’Hérode": Eh bien, par le fer qu'ils périssent
Track length2:44
Pt. 1 "Le songe d’Hérode": Ô mon cher fils
Track length6:59
Pt. 1 "Le songe d’Hérode": Joseph! Marie! Écoutez-nous!
Track length4:29
Pt. 2 "La fuite en Égypte": Overture
Track length5:45
Pt. 2 "La fuite en Égypte": Il s'en va loin de la terre
Track length4:34
Pt. 2 "La fuite en Égypte": Les pèlerins étant venus
Track length5:36
Pt. 3 "L’arrivée à Saïs": Depuis trois jours
Track length3:26
Pt. 3 "L’arrivée à Saïs": Dans cette ville immense
Track length4:49
Pt. 3 "L’arrivée à Saïs": Entrez, pauvres Hébreux
Track length4:09
Pt. 3 "L’arrivée à Saïs": Sur vos traits fatigués
Track length3:07
Pt. 3 "L’arrivée à Saïs": Trio des Ismaélites
Track length6:16
Pt. 3 "L’arrivée à Saïs": Vous pleurez, jeune mère
Track length4:25
Pt. 3 "L’arrivée à Saïs": Ce fut ainsi que par un infidèle
Track length10:13

Awards and reviews

May 2019

All the soloists are excellent, and thoughtful casting among the four baritones and bass-baritones has allotted the Israelite father to Matthew Brook, who brings just that touch of extra warmth to the role. Chorus and orchestra add further lustre to this superb enterprise, in which Andrew Davis’s love for the music shines through in every bar.

March 2019

Sasha Cooke makes a radiant Mary opposite Roderick Williams’s tenderly solicitous Joseph…The Melbourne Symphony, meanwhile, sound very warm and plush, perhaps a bit too much so for some tastes in this work, but their playing is beautifully articulated and detailed. The set’s principal strength, however, lies in the choral singing, which is superb throughout in its clarity, balance and dynamic control.

April 2019

A very successful new recording of L’Enfance du Christ.

14th April 2019

He is alive to the orchestral colours, his chorus is good, and Andrew Staples is an eloquent Narrator, Sasha Cooke a lovely Marie, Roderick Williams a fine Joseph and Matthew Brook a powerful Herod

Musical Opinion April-June 2019

This magnificent release constitutes the finest and most consistently outstanding recording of Berlioz’s great choral masterpiece ever issued.
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