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Special offer. Influences

Tamara Stefanovich (piano)

Influences

Awards:

The overall excellence of Tamara Stefanovich’s interpretations is enhanced by a superb multichannel recording characterised by full-bodied ambience an concert-hall realism. Stefanovich voices...

Special offer. Influences

Tamara Stefanovich (piano)

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

The overall excellence of Tamara Stefanovich’s interpretations is enhanced by a superb multichannel recording characterised by full-bodied ambience an concert-hall realism. Stefanovich voices...

About

On her first PENTATONE album, pianist Tamara Stefanovich presents a highly personal selection of solo works by Bach, Bartók, Ives and Messiaen. Influences shows how these extraordinarily original and idiosyncratic composers let themselves be inspired by the exterior world, thereby demonstrating how authenticity comes from looking outside as well as inside. The repertoire spans from Bach’s embrace of Italian musical elements in his Aria variata alla maniera italiana, Bartók’s incorporation of folk elements in his Improvisations on Hungarian Peasant Songs, and Messiaen’s use of Hindu rhythms in Cantéyodjayâ to the collage of marching bands, sounds of trains and machinery, church hymns, ragtime and blues in Ives’ first piano sonata. In all cases, the exterior influences lead to deeply original and personal sonic galaxies. In that respect, the pieces presented here underline how identity results from a constant dialogue with our surroundings, ever changing and enriching our perceptions of ourselves and the world.

Contents and tracklist

I. Adagio con moto
Track length9:33
IIa. Allegro moderato
Track length1:40
IIb. Allegro "In the Inn"
Track length4:19
III. Largo - Allegro - Largo, come pima
Track length7:27
IVa.
Track length1:26
IVb. Allegro - Presto
Track length3:45
V. Andante maestoso
Track length13:21
No. 1, Molto moderato
Track length1:04
No. 2, Molto capriccioso
Track length0:53
No. 3, Lento, rubato
Track length2:09
No. 4, Allegretto scherzando
Track length0:48
No. 5, Allegro molto
Track length0:56
No. 6, Allegro moderato, molto capriccioso
Track length1:32
No. 7, Sostenuto, rubato
Track length2:00
No. 8, Allegro
Track length1:58
Aria
Track length2:42
Var. 1. Largo
Track length1:16
Var. 2,
Track length1:07
Var. 3.
Track length0:56
Var. 4. Allegro
Track length1:00
Var. 5. Un poco allegro
Track length1:00
Var. 6. Andante
Track length1:38
Var. 7. Un poco allegro
Track length0:53
Var. 8. Allegro
Track length0:48
Var. 9,
Track length0:39
Var. 10,
Track length2:32

Spotlight on this release

Awards and reviews

  • Gramophone Magazine
    April 2019
    Editor's Choice

April 2019

The overall excellence of Tamara Stefanovich’s interpretations is enhanced by a superb multichannel recording characterised by full-bodied ambience an concert-hall realism. Stefanovich voices Ives’s thick and ringing choral dissonances from the bottom up, taking full measure of the music’s spaciousness and resonant potential…After more than an hour of substantial 20th-century fare, the appearance of Bach proves a veritable tonic in Stefanovich’s hands.

June 2019

Stefanovich’s reading of the Bartók Improvisations on Hungarian Peasant Songs is one of the richest in the catalogue. The influence of South Indian Carnatic music pervades Messiaen’s Cantéyodjayâ. This chiseled, uncompromising music suits Stefanovich perfectly. It is a stroke of genius to juxtapose Messiaen with Bach, the Aria variata alla maniera italiana, played with a finger clarity reminiscent of Argerich’s Bach. Luminously played, recorded with great presence and with a playing time just short of 80 minutes, this is an unmissable disc.
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