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Hugo Wolf Recital

Salzburg Festival, 12 August 1953

Elisabeth Schwarzkopf (soprano), Wilhelm Furtwängler (piano)

Hugo Wolf Recital
This 1953 Salzburg Festival live recording will delight some and puzzle others. The sound is good, Elisabeth Schwarzkopf is word-sensitive but slightly brittle, and Wilhelm Furtwängler rather...

Hugo Wolf Recital

Salzburg Festival, 12 August 1953

Elisabeth Schwarzkopf (soprano), Wilhelm Furtwängler (piano)

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This 1953 Salzburg Festival live recording will delight some and puzzle others. The sound is good, Elisabeth Schwarzkopf is word-sensitive but slightly brittle, and Wilhelm Furtwängler rather...

About

It is perhaps the songs of Hugo Wolf that most closely define Elisabeth Schwarzkopf’s subtle art as a recitalist. At the Salzburg Festival in 1953 she marked the 50th anniversary of the composer’s death in a memorable collaboration with Wilhelm Furtwängler, who – having conducted her frequently in opera and oratorio – here became her accompanist. As the producer Walter Legge wrote: “We must be grateful that this extraordinary occasion was recorded not only for us but also for posterity.”

Contents and tracklist

No. 13, Im Frühling (Live)
Track length6:10
No. 16, Elfenlied (Live)
Track length1:52
No. 36, "Lebe wohl" (Live)
Track length2:15
No. 25, Schlafendes Jesuskind (Live)
Track length3:55
No. 32, Phänomen (Live)
Track length2:10
No. 26, Die Spröde (Live)
Track length2:10
No. 27, Die Bekehrte (Live)
Track length3:03
No. 29, Anakreons Grab (Live)
Track length3:02
No. 24, Blumengruss (Live)
Track length1:36
No. 19, Epiphanias (Live)
Track length4:41
Weltliche Lieder, No. 26, "Bedeckt mich mit Blumen" (Live)
Track length3:13
Geistliche Lieder, No. 9, "Herr, was trägt der Boden her" (Live)
Track length2:57
Weltliche Lieder, No. 2, "In dem Schatten meiner Locken" (Live)
Track length2:30
Weltliche Lieder, No. 13, "Mögen alle bösen Zungen" (Live)
Track length2:06
No. 8, Nachtzauber (Live)
Track length5:30
No. 7, Die Zigeunerin (Live)
Track length3:30

Awards and reviews

May 2019

This 1953 Salzburg Festival live recording will delight some and puzzle others. The sound is good, Elisabeth Schwarzkopf is word-sensitive but slightly brittle, and Wilhelm Furtwängler rather stolid. The audience loved them.
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