Ascent
Music for Viola and Piano
Matthew Lipman (viola) & Henry Kramer (piano)
A rediscovered Shostakovich impromptu and a resplendent new work by Clarice Assad, in memory of Lipman’s mother, are just two of the treats on this flight of fantasy.
Ascent
Music for Viola and Piano
Matthew Lipman (viola) & Henry Kramer (piano)
Purchase product
A rediscovered Shostakovich impromptu and a resplendent new work by Clarice Assad, in memory of Lipman’s mother, are just two of the treats on this flight of fantasy.
About
Dmitri Shostakovich's long-lost Impromptu for Viola and Piano, Op. 33, recently unearthed in the Moscow State Archives,receives its world-premiere recording on Matthew Lipmans Ascent, the acclaimed young American violist's solo debut album, featuring, in the artists words, 'music enraptured by flights of fantasy'. Recipient of a 2015 Avery Fisher Career Grant, Lipman has created an album of uplifting and spiritually transcendent works for viola and piano, dedicated to his late mother. The Telegraph praised Lipman as 'gifted with poise and a warmth of timbre' for his recording of Mozart's Sinfonia Concertante with violinist Rachel Barton Pine, the Academy of St. Martin in the Fields, and Sir Neville Marriner (Avie), which topped the Billboard classical chart.
Contents and tracklist
- Matthew Lipman (viola), Henry Kramer (piano)
- Matthew Lipman (viola), Henry Kramer (piano)
- Recorded: 25-26 April 2018
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Matthew Lipman (viola), Henry Kramer (piano)
- Recorded: 1-3 October 2017
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Matthew Lipman (viola)
- Matthew Lipman (viola), Henry Kramer (piano)
- Matthew Lipman (viola), Henry Kramer (piano)
Awards and reviews
April 2019
A rediscovered Shostakovich impromptu and a resplendent new work by Clarice Assad, in memory of Lipman’s mother, are just two of the treats on this flight of fantasy.
April 2019
A most impressive debut solo disc from young American violist Matthew Lipman.
April 2019
Waxman’s Carmen Fantasy makes for a rousing conclusion to this most impressive, well recorded and lovingly presented recital.