Magnificat/Lumen
Concerto de Bassus, Franz Hauk
Lumen makes upmost of this disc…the style is occasionally reminiscent of Stravinsky and Messiaen, but at times shows considerable individuality in the handling of timbre.
Magnificat/Lumen
Concerto de Bassus, Franz Hauk
Purchase product
Lumen makes upmost of this disc…the style is occasionally reminiscent of Stravinsky and Messiaen, but at times shows considerable individuality in the handling of timbre.
About
Shortly after taking up the position of Thomaskantor in Leipzig in 1723, Bach wrote a Magnificat in E flat major for performance at Christmas. Around a decade later he revised the work, transposing it down to D major and making it more concise. Utilising a Biblical text, the piece is suffused with a series of memorable arias and choruses and orchestrated with spectacular grandeur. Lumen is a contemporary musical dialogue that urges empathy between the three Abrahamic religions. Translating the oratorio form into a ‘unity of diversity’, Robert M. Helmschrott has converted the poetry of the Old and New Testaments, the Torah and Qur’an into an interfaith ‘language of sounds and singing’.
Contents and tracklist
- Recorded: 22-23 September 2017
- Recording Venue: Kongregationssaal, Neuburg, Germany
- Recorded: 19-21 September 2017
- Recording Venue: Kongregationssaal, Neuburg, Germany
Awards and reviews
May 2019
Lumen makes upmost of this disc…the style is occasionally reminiscent of Stravinsky and Messiaen, but at times shows considerable individuality in the handling of timbre.
May/June 2019
The musical language is pan-tonal with colourful orchestration, with diverse musical styles incorporated. This is an interesting oratorio.
March 2019
Lumen is a powerful choral work reflecting on issues which trouble our world