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Pachelbel: Complete Keyboard Music

Simone Stella (harpsichord, organ)

Pachelbel: Complete Keyboard Music
the organ used here has much greater possibilities in variety of tonal colours, and Stella uses it to fine effect in the many fugues and chorale variations – the music needs it. Pachelbel’s...

Pachelbel: Complete Keyboard Music

Simone Stella (harpsichord, organ)

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13 CDs

$44.00

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Stream now lossless, 44.1 kHz, 16 bit
the organ used here has much greater possibilities in variety of tonal colours, and Stella uses it to fine effect in the many fugues and chorale variations – the music needs it. Pachelbel’s...

About

During his lifetime, Johann Pachelbel (1653–1706) was best known as an organ composer. He wrote more than two hundred pieces for the instrument, both liturgical and secular, and explored most of the genres that existed at the time. He is considered to be the apex of the 17th century’s south German organ school and generally one of the most important composers of the middle Baroque.

His sphere of activity included central and southern Germany (modern Bavaria, Thuringia and Stuttgart), as well as important formative years in Vienna in his early 20s, during which he absorbed the Habsburg Empire’s dominant Italian and south German influences. The southern organ-builders’ emphasis on manual divisions is also apparent in much of Pachelbel’s liturgical organ music, which is relatively simple and written for manuals only.

With this 13-disc set covering Pachelbel’s pivotal contributions to the chorale prelude, fugue and variation forms, internationally acclaimed organist Simone Stella adds another milestone to his already prolific discography of baroque keyboard music surveys on Brilliant Classics (Dieterich Buxtehude, BC94312 4CD & BC94422 6CD; Georg Böhm, BC94612 4CD; Johann Adam Reincken, BC94606 3CD; Johann Gottfried Walther, BC94730 12CD; Johann Jakob Froberger, BC94740 16CD).

Contents and tracklist

I. Aria prima
Track length1:17
II. Variatio 1
Track length0:56
III. Variatio 2
Track length0:53
IV. Variatio 3
Track length0:42
V. Variatio 4
Track length0:50
VI. Variatio 5
Track length0:54
VII. Variatio 6
Track length1:25
I. Aria secunda
Track length1:30
II. Variatio 1
Track length1:35
III. Variatio 2
Track length1:12
IV. Variatio 3
Track length1:04
V. Variatio 4
Track length1:27
VI. Variatio 5
Track length1:51
I. Aria tertia
Track length1:12
II. Variatio 1
Track length1:03
III. Variatio 2
Track length1:08
IV. Variatio 3
Track length1:06
V. Variatio 4
Track length1:00
VI. Variatio 5
Track length0:55
VII. Variatio 6
Track length1:01
I. Aria quarta
Track length1:27
II. Variatio 1
Track length1:07
III. Variatio 2
Track length1:17
IV. Variatio 3
Track length0:58
V. Variatio 4
Track length0:45
VI. Variatio 5
Track length0:51
VII. Variatio 6
Track length1:00
I. Aria quinta
Track length1:07
II. Variatio 1
Track length1:10
III. Variatio 2
Track length0:48
IV. Variatio 3
Track length1:02
V. Variatio 4
Track length0:47
VI. Variatio 5
Track length0:49
VII. Variatio 6
Track length0:56
I. Variatio 1
Track length0:58
II. Variatio 2
Track length0:49
III. Variatio 3
Track length0:46
IV. Variatio 4
Track length1:14
V. Variatio 5
Track length0:53
VI. Variatio 6
Track length0:57
VII. Variatio 7
Track length0:46
VIII. Variatio 8
Track length0:51
IX. Variatio 9
Track length1:09
I. Allemand
Track length2:27
II. Courant
Track length1:23
I. Allemand
Track length2:00
II. Courant
Track length1:23
III. Gavotte
Track length0:45
IV. Sarabande
Track length2:40
V. Gyque
Track length1:37
I. Aria
Track length1:02
II. Variatio 1
Track length1:00
III. Variatio 2
Track length0:56
IV. Variatio 3
Track length0:45
V. Variatio 4
Track length1:07
I. Allemande
Track length2:20
II. Courante
Track length1:21
III. Aria
Track length1:26
IV. Sarabande
Track length1:39
V. Gyque
Track length1:16
I. Allemande
Track length3:36
II. Courante
Track length1:13
III. Gavotte
Track length0:39
IV. Sarabande
Track length1:41
V. Gyque
Track length1:16
I. Aria
Track length0:57
II. Variatio 1
Track length0:50
III. Variatio 2
Track length0:48
IV. Variatio 3
Track length1:08
I. Allemande
Track length1:59
II. Courante
Track length1:06
III. Gavotte
Track length0:56
IV. Sarabande
Track length1:12
V. Sarabande ex Variation
Track length0:59
VI. Gavotte mit Variatio
Track length1:16
VII. Gyque
Track length1:23
I. Allemande
Track length2:22
II. Courante
Track length1:18
III. Aria
Track length1:03
IV. Gavotte
Track length0:41
V. Sarabande
Track length1:49
VI. Gyque
Track length1:38
I. Arietta
Track length1:01
II. Variatio 1
Track length0:53
III. Variatio 2
Track length0:53
IV. Variatio 3
Track length0:47
V. Variatio 4
Track length0:43
VI. Variatio 5
Track length0:49
VII. Variatio 6
Track length0:47
VIII. Variatio 7
Track length0:42
IX. Variatio 8
Track length0:45
X. Variatio 9
Track length1:03
I. Allemande
Track length2:39
II. Courante
Track length1:39
III. Bourrée
Track length0:59
IV. Sarabande
Track length1:39
V. Gyque
Track length1:16
I. Allemande
Track length2:40
II. Courante
Track length1:54
III. Sarabande
Track length2:22

Awards and reviews

July 2019

the organ used here has much greater possibilities in variety of tonal colours, and Stella uses it to fine effect in the many fugues and chorale variations – the music needs it. Pachelbel’s technique for toccatas is also consistent; based on pedal notes, the keyboard figurations of parallel 3rds, 6ths and 10ths predominate. Although not difficult to improvise, Pachelbel is always surprising in his modulatory shifts and textural changes.
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