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Alfred Cellier: Dorothy

Majella Cullagh (Dorothy), Lucy Vallis (Lydia), Matt Mears (Wilder), John Ieuan Jones (Sherwood), Edward Robinson (Squire Bantam), Stephanie Maitland (Phyllis), Patrick Relph (Tuppitt), Michael Jones (Lurcher), Sebastian Maclaine (Tom)

Victorian Opera, Richard Bonynge

Alfred Cellier: Dorothy
Cellier’s score is amiably put together if lacking the inventiveness of Sullivan or Edward German…I’d be surprised if the recording led to any major revivals, but it’s good to have such a capable...

Alfred Cellier: Dorothy

Majella Cullagh (Dorothy), Lucy Vallis (Lydia), Matt Mears (Wilder), John Ieuan Jones (Sherwood), Edward Robinson (Squire Bantam), Stephanie Maitland (Phyllis), Patrick Relph (Tuppitt), Michael Jones (Lurcher), Sebastian Maclaine (Tom)

Victorian Opera, Richard Bonynge

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Cellier’s score is amiably put together if lacking the inventiveness of Sullivan or Edward German…I’d be surprised if the recording led to any major revivals, but it’s good to have such a capable...

About

Alfred Cellier was a contemporary of Arthur Sullivan as a Chapel Royal chorister, and would later conduct several Gilbert and Sullivan productions. With its rural tale of disguise and romantic scheming, its jaunty tunes, lively characters and farcical comedy, Cellier’s light opera, Dorothy, has been almost entirely forgotten today. It had the longest run of any 19th-century piece of musical theatre, seeing off The Mikado and Ruddigore, and became such a popular hit in its day that the box office profits were able to fund the building of the Lyric Theatre on London’s Shaftesbury Avenue.

Contents and tracklist

Overture
Track length7:39
Act I: Lads and Lasses Round About
Track length4:56
Act I: Be Wise in Time, Oh Phyllis
Track length2:32
Act I: We're Sorry to Delay You
Track length2:16
Act I: With Such a Dainty Dame
Track length2:32
Act I: A Father's Pride and Joy
Track length3:40
Act I: I Am the Sheriff's Faithful Man
Track length2:26
Act I: You Swear to Be Good and True
Track length4:33
Act I: Under the Pump
Track length1:29
Act I: Now Take Your Seats
Track length3:29
Act II: Country Dance
Track length0:50
Act II: Though Born a Man
Track length1:28
Act II: Entrance Music
Track length0:41
Act II: Graceful Dance
Track length1:17
Act II: Contentment I Give You
Track length2:04
Act II: Now Let's to Bed
Track length2:55
Act II: One Moment, Pray
Track length1:26
Act II: Queen of My Heart
Track length3:34
Act II: Are You Sure?
Track length1:20
Act II: What Noise Was That
Track length5:53
Act II: Hark For'ard, Away!
Track length1:59
Act III: Ballet
Track length2:58
Act III: Dance of the Peasants
Track length1:56
Act III: The Time Has Come
Track length2:17
Act III: What Joy Untold
Track length2:04
Act III: You Swore to Be Good and True
Track length2:22

Awards and reviews

April 2019

Cellier’s score is amiably put together if lacking the inventiveness of Sullivan or Edward German…I’d be surprised if the recording led to any major revivals, but it’s good to have such a capable performance available…Bonynge conducts with vivacity.

April 2019

Cellier does a nice line in lilting ballads and waltz-songs; and, with Richard Bonynge at the helm of an orchestra that would have done any Victorian theatre proud, we can enjoy both the graceful swing of Cellier’s melodies and his luminous little touches of colour…You don’t expect or need heavyweight singing in this repertoire, though Majella Cullagh has richness to spare as Dorothy.

March 2019

A work which still has the power to charm and delight after a century of neglect.

July 2019

[Bonynge’s] relaxed tempos and delicate moulding of choral and instrumental textures – not least in the appealingly Smetana-esque ballet – convey winning affection if limited zest…Dorothy offers the teasing pleasures of a soft sherbet fountain rather than anything more intoxicating, but all hail Victorian Opera for reviving this gentle blast from England’s musical past.

Opera Now February 2019

Conducted by Richard Bonynge with efficiency... and neatly performed by a generally young cast.
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