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He(a)r

Nordic Affect

He(a)r
The latest album from this Icelandic ensemble is ‘an ode to hear, here, hér and her', hér being the Icelandic word for here. These new pieces for Baroque instruments, voices and electronics...

He(a)r

Nordic Affect

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The latest album from this Icelandic ensemble is ‘an ode to hear, here, hér and her', hér being the Icelandic word for here. These new pieces for Baroque instruments, voices and electronics...

About

Textura Raindamage is an album best appreciated on headphones, when you’ve got the time to really let it seep into your brain. Titled H e (a) r the album features 7 world premiere recordings, including a soundscape which lends its title to the album by the group’s artistic director; composer and violinist Halla Steinunn Stefánsdóttir. The work H e (a) r connects to ecology, acoustics and embodiment; drawing on encounters and what happens in the connection. Many of the instrumental works are a continuation of Nordic Affect’s longstanding collaboration with some of the exciting talent to emerge out of Iceland in recent years, many of which were featured on the 2015, release Clockworking. The title track was chosen for NPR's Songs We Love series and featured in various best-of-the-year lists, including Steve Smith’s for Night After Night, The Chicago Reader, and The New Yorker. In addition to composing her own music, Ms. Markan Sigfúsdóttir has toured the world with indie band amiina and recorded and collaborated with a range of other bands and artists. Her compositions have been performed in Iceland, Australia, Europe and the US. A continuation of the solo work 2 Circles, found on the Clockworking album, is Point of Departure by composer, cello player, and singer Hildur Guðnadóttir. Hildur has been manifesting herself at the forefront of experimental pop and contemporary music. Her output has encompassed four solo albums, and numerous works for theatre, dance performances and films. H e (a) r also features Reflections and Impressions by Anna Thorvaldsdottir, a recipient of Lincoln Center’s 2018 Emerging Artist Award and 2018 Martin E. Segal Award. Anna Thorvaldsdottir frequently works with large sonic structures that tend to reveal the presence of a vast variety of sustained sound materials, reflecting her sense of imaginative listening to landscapes and nature. A new collaboration is presented through Warm life at the foot of the iceberg by the Estonian Mirjam Tally. Sound is central to the Estonian MirjamTally’s creations. Her music is a flow of playful contrasts where a sense of humour and poetic use of sound are blended to mix. Her music has been performed in over 20 countries and earned her various accolades, including the 2018 Swedish Manifest prize.

Contents and tracklist

H e (a) r: I.
Track length0:19
H e (a) r: II.
Track length1:45
H e (a) r: III.
Track length0:53
H e (a) r: IV.
Track length1:15
H e (a) r: V.
Track length2:04
H e (a) r: VI.
Track length1:29
H e (a) r: VII.
Track length2:50

Awards and reviews

February 2019

The latest album from this Icelandic ensemble is ‘an ode to hear, here, hér and her', hér being the Icelandic word for here. These new pieces for Baroque instruments, voices and electronics are often atmospheric and subtle.

February 2019

The performances sound extremely well executed, the electro-acoustic element applied with discretion. Stefánsdóttir’s He[a]r binds the whole together into a concept album more familiar from progressive rock music. That may not appeal to everyone, but the individual pieces can be appreciated in their own right.
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