Martinu: Violinkonzerte
Thomas Albertus Irnberger (violin)
Janacek Philharmonic Ostrava, Heiko Mathias Forster
Irnberger is equally convincing in both works, playing with silvery brilliance and dusky introspection. Ostrava has a great tradition of performing Martinů, and the orchestration sounds fully...
Martinu: Violinkonzerte
Thomas Albertus Irnberger (violin)
Janacek Philharmonic Ostrava, Heiko Mathias Forster
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Irnberger is equally convincing in both works, playing with silvery brilliance and dusky introspection. Ostrava has a great tradition of performing Martinů, and the orchestration sounds fully...
About
Following on from his recordings of the Concerto for Violin, Piano and Orchestra by Bohuslav Martinu (GRAM99098), internationally acclaimed violinist Thomas Albertus Irnberger presents both Violin Concertos of the Czech composer, who so often has to give room to the greater popularity of his compatriots Smetana, Dvorak and Janacek. Martinu's Violin Concerto No. 1 H 226 was written in 1931, during his almost 20 years lasting residence in Paris, France. In 1941, Martinu emigrated via Lisbon to the United States because of his detestation of fascism and war and the fear of political persecution, where in 1943 he composed his Violin Concerto No. 2 H 293.
Contents and tracklist
- Thomas Albertus Irnberger (violin)
- Janáček Philharmonic Orchestra
- Heiko Mathias Förster
- Recorded: 20-21 February 2018
- Recording Venue: Ostrava Concert Hall, Cultural Center, Ostrava, Czech Republic
- Thomas Albertus Irnberger (violin)
- Janáček Philharmonic Orchestra
- Heiko Mathias Förster
- Recorded: 13 May 2016
- Recording Venue: Ostrava Concert Hall, Cultural Center, Ostrava, Czech Republic
Awards and reviews
January 2019
Irnberger is equally convincing in both works, playing with silvery brilliance and dusky introspection. Ostrava has a great tradition of performing Martinů, and the orchestration sounds fully inside the idiom under its German music director, Heiko Mathias Forster.
February 2019
Irnberger’s tone is relaxed and warm…What impresses about the newcomer is the understanding between the soloist and orchestra, through the conductor, and their obvious empathy with Martinů’s vibrant music.