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Martinu: Violinkonzerte

Thomas Albertus Irnberger (violin)

Janacek Philharmonic Ostrava, Heiko Mathias Forster

Martinu: Violinkonzerte
Irnberger is equally convincing in both works, playing with silvery brilliance and dusky introspection. Ostrava has a great tradition of performing Martinů, and the orchestration sounds fully...

Martinu: Violinkonzerte

Thomas Albertus Irnberger (violin)

Janacek Philharmonic Ostrava, Heiko Mathias Forster

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Irnberger is equally convincing in both works, playing with silvery brilliance and dusky introspection. Ostrava has a great tradition of performing Martinů, and the orchestration sounds fully...

About

Following on from his recordings of the Concerto for Violin, Piano and Orchestra by Bohuslav Martinu (GRAM99098), internationally acclaimed violinist Thomas Albertus Irnberger presents both Violin Concertos of the Czech composer, who so often has to give room to the greater popularity of his compatriots Smetana, Dvorak and Janacek. Martinu's Violin Concerto No. 1 H 226 was written in 1931, during his almost 20 years lasting residence in Paris, France. In 1941, Martinu emigrated via Lisbon to the United States because of his detestation of fascism and war and the fear of political persecution, where in 1943 he composed his Violin Concerto No. 2 H 293.

Contents and tracklist

Violin Concerto No. 1, H. 226: I. Allegro moderato
Track length10:06
Violin Concerto No. 1, H. 226: II. Andante
Track length5:17
Violin Concerto No. 1, H. 226: III. Allegretto
Track length8:23
Violin Concerto No. 2, H. 293: I. Andante - Poco allegro - Moderato
Track length11:23
Violin Concerto No. 2, H. 293: II. Andante moderato
Track length7:39
Violin Concerto No. 2, H. 293: III. Poco allegro
Track length8:15

Awards and reviews

January 2019

Irnberger is equally convincing in both works, playing with silvery brilliance and dusky introspection. Ostrava has a great tradition of performing Martinů, and the orchestration sounds fully inside the idiom under its German music director, Heiko Mathias Forster.

February 2019

Irnberger’s tone is relaxed and warm…What impresses about the newcomer is the understanding between the soloist and orchestra, through the conductor, and their obvious empathy with Martinů’s vibrant music.
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