Schmelzer: The Emperor's Fiddler
David Irving (violin), Hannah Lane (triple harp), Tommie Andersson (theorbo), John O'Donnell (harpsichord, organ), Laura Vaughan (viola da gamba)
To best reflect the regal setting for the earliest performances of these works, Irving has gathered together a rich continuo ensemble of four musicians and the resulting array of ever-changing...
Schmelzer: The Emperor's Fiddler
David Irving (violin), Hannah Lane (triple harp), Tommie Andersson (theorbo), John O'Donnell (harpsichord, organ), Laura Vaughan (viola da gamba)
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To best reflect the regal setting for the earliest performances of these works, Irving has gathered together a rich continuo ensemble of four musicians and the resulting array of ever-changing...
About
Johann Heinrich Schmelzer was a leading violin virtuoso in mid-seventeenth-century Europe, highly favoured by Holy Roman Emperors Ferdinand III and Leopold I. His six Sonatæ unarum fidium (Sonatas for one fiddle) take pride of place in the history of violin music as the earliest collection of sonatas published by a native German-speaking composer, in 1664. These works cover the full gamut of emotions, from extreme passions and extravagant virtuosity to the most intimate and profound expressions of poetic introspection, with elegant dances inserted for good measure. Schmelzer likely played violins made by Jacob Stainer, the most celebrated luthier in Europe, whose violins were renowned for their fine silvery tone and long considered superior to Cremonese models. Here the sonatas are performed on a replica of a c.1670 Stainer violin, with strings in equal tension; the bow is based on seventeenth-century designs and is short and light, with its hair at high tension. This disc explores the lavish soundworld and rich musical invention of the emperor's fiddler.
Contents and tracklist
- David Irving (violin), Hannah Lane (triple harp), Tommie Andersson (theorbo), John O'Donnell (harpsichord), Laura Vaughan (viola da gamba)
- Recorded: 27–29 September 2017
- Recording Venue: St Fidelis Parish Church, West Coburg, Melbourne, Australia
- Recorded: 27–29 September 2017
- Recording Venue: St Fidelis Parish Church, West Coburg, Melbourne, Australia
Awards and reviews
December 2018
To best reflect the regal setting for the earliest performances of these works, Irving has gathered together a rich continuo ensemble of four musicians and the resulting array of ever-changing accompaniments is evidence of their close collaboration….The clarity and warmth of the recorded sound is a pleasure to experience…Irving plays with a certain seriousness and polished technical perfection that many discerning listeners will find admirable.
October 2018
O’Donnell’s and Irving’s notes are essential reading, the latter’s a concise and entertaining guide to bow holds, equal tension string and the intricacies of tuning baroque instruments, complete with eye-popping graphics. O’Donnell also throws in a wonderful little organ passacaglia by Johann
Caspar Kerll.